What did you watch this week? Including Django Unchained, Last Resort, The Wedding Band and Mr Selfridge

It’s “What did you watch this week?”, my chance to tell you what I movies and TV I’ve watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First, the usual recommendations: 30 Rock, Archer, Arrow, Being Human (US), The Daily Show, Don’t Trust The B—– in Apartment 23, Cougar Town, Elementary, Go On, Last Resort, Modern Family, Mr Selfridge, Shameless, Suits and The Wedding Band. These are all going to be on in either the UK or the US, perhaps even both, but I can’t be sure which

More temporal casualties, with Hard, A Young Doctor’s Notebook, Utopia and Spies of Warsaw all being purged from the Sky+ box, thanks in part to Guy’s time-saving recommendations (see? There is a point to this feature). I’ve also still got to watch this week’s Carrie Diaries, Archer, Suits, Modern Family, Cougar Town, Yes Prime Minister, the penultimate episode of 30 Rock, and Bob Servant Independent, which started on Wednesday. But I think I’m getting back down to manageable levels now.

Now, some thoughts on the regulars.

  • Archer: I neglected to mention the return of this last week – foolish me. As always, thoroughly recommended as the funniest thing on TV at the moment.
  • Arrow: Another decent episode. Nothing spectacular or unpredictable in the A-plot, but the flashback B-plot continues to impress.
  • Being Human (US): A slight return to the humour of early episodes as the series continues in its unpredictable new direction. The arrival of Xander Berkeley heralds good things, I suspect, too.
  • Go On: I can watch a show with Piper Perabo in that isn’t the tedious Covert Affairs – woo hoo! Pulling a Southland, the show is also now having swearing but bleeped out and pixellated nudity, which is somewhat surprising. Not the funniest thing I’ve ever seen, though.
  • Last Resort: Both a surprising ending and an unsurprising ending for the show. Some things were a little rushed, some things didn’t make a whole load of sense but virtually all the plot strands got wrapped up, some of them unpredictably. The action scenes were there, but not as tense as in previous weeks, and the drama didn’t quite work in the ways they intended. But generally, a good way to end the show and reassuring that they didn’t try to hold out for a pick-up by another network by leaving everything open-ended. At 13 eps, too, it feels like they mined the idea probably as much as they could have sustained it, anyway.
  • Mr Selfridge: Parallel universe time. A flagship ITV show that has a French character (played by Spiral‘s Grégory Fitoussi no less) who’s becoming practically as important as the lead, he gets to meet other French characters, also played by French actors and they get to speak in French. With subtitles. How very, very weird. So much to love, but the plot is slowing down a little now, with evolution rather than revolution being the name of the game. Some characters are getting less interesting, some more. Still worth watching.
  • Shameless: A thrilling antidote to the typical US drama (cf Arrow), this week focusing on how fathers can suck completely and ruin your life, and giving the moral that if you’re poor, the only way to stop being poor isn’t following the American dream, it’s stealing or scamming. Indeed, Fiona’s storyline this week was all about the poverty trap and how when someone tries to escape their life, they can end up worse off than if they’d stayed where they were
  • The Wedding Band: And so it ends. Oh well. But the penultimate episode did feature not only James Marsters using his Spike from Buffy accent to play an aging English rock star but an actual English actor playing an English character who instantly identifies him as coming from Merseyside. When the band question how he knows, Marsters replies: “Any Englishman can instantly spot from another Englishman’s accent where he’s from to within 10 miles.” I’m assuming they were taking the piss out of Marsters there, either with or without his cooperation. The show ended with a minor emotional cliffhanger that will now never be resolved, unfortunately. Shame, it was a pretty good show that could have developed over time, but now TBS is going to focus on half-hour comedies and Big Bang Theory re-runs instead.

  • Yes, Prime Minister: Not a patch on the original, either in terms of the writing or the cast, but not without funny moments. Sir Humphrey is the biggest problem, since he comes across less as part of the establishment, more an odious selfish scheme; Bernard is now just an idiot; and Hacker is a blowhard, rather than a politician out of his depth. But I’ll be watching episode two at least – when I have the time.

And, in movies:

Django Unchained
Way too long and not quite up to the standards of previous Tarantino movies in terms of dialogue, but still a really good and very surprising movie. Surprising in terms of how unflinching it is in dealing with the incredibly insane nature of 19th century American slavery, but also in having a humorous German character as a hero (the always incredible Christoph Waltz) and having segments of the movie in German. Samuel L Jackson gives one of his best ever performances and is practically unrecognisable, while Leonardo DiCaprio gives one of his best performances in years as an evil plantation owner. Definitely worth watching, perhaps more at home than in the cinema, though.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Friday’s “JJ Abrams’ Star Wars, Robson Green joins Strike Back and more Girls” news

Films

Film casting

Trailers

  • Clip from jOBS with Ashton Kutcher and Josh Gad
  • Trailer for GI Joe 2
  • Trailer for Upside Down with Kirsten Dunst and Jim Sturgess
  • Trailer for the Coen Brothers’ Inside Llewyn Davis

French TV

  • France 3 acquires Miss Fisher’s Murder Mysteries [subscription required]

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting

Classic TV

Nostalgia Corner: Head of the Class (1986-91)

Head of the Class

Nerds and the gifted are usually the butts of jokes in US sitcoms. Happier with the ordinary, the sporting and those who don’t try too hard, even when there is a smarter character (such as in Modern Family), the majority of US sitcoms see that nerdiness or intellect as a weakness, something to be mocked because it separates out the gifted from the rest of us – when, at High School, the last thing you want is to be different. And they’re never ever going to get a girlfriend or boyfriend, either. Well, not a normal one, anyway.

The 80s did, however, give us a show that dared to be different. Head of the Class starred WKRP in Cincinnati‘s Howard Hesseman as an actor who becomes a substitute teacher at a New York high school. His assignment was a class of children on the Individualized Honors Program (IHP): everyone in the class was a genius at one school subject or another. While to a certain extent the class was composed of stereotypes – the science guy is a skinny, pocket protector-wearing, bespectacled wimp; the computer genius is fat and cynical; the political science guy is preppy; the arts girl is airy fairy; and so on – it still had some variety with Eric (Brian Robbins), the motorcycle-riding, leather-jacket wearing cool kid who was a superb writer, a black rich kid (a young Robin Givens) and an Indian exchange student (Jory Husain).

Each week, Hesseman would give the kids life lessons and help to teach them the ways of the world, but with no ‘normal’ kids around, the IHP students were able to be themselves, to work hard, to be friends and to excel. They could know answers to questions, answer intelligently and debate issues. There were even potential romances, with airy fairy arts girl Simone and cool kid Eric having an on-again, off-again relationship. In a pre-Glee move, thanks to Hesseman’s acting background, the IHP kids would even put on a yearly musical.

The show lasted four five seasons, during which time it changed considerably. As well as being the first US sitcom to film in the Soviet Union (for its third season opener), by the fourth season, some students had graduated, bringing in new students to the programme, including a blonde hippie and an aspiring filmmaker (De’voreaux White from the first Die Hard).

The fifth season saw Hesseman’s character leave, his acting career finally taking off, to be replaced with Billy Connolly in his first US TV role. More stand-up than teacher, Billy also had to deal with America and its customs, and he was popular enough that he got his own spin-off show, Billy.

Sadly, the show ended that season with everyone in the IHP finally graduating and the school itself being demolished. While you’re mourning, here’s the rather catchy theme tune and iconic titles, as well as a full 11 minutes of an episode that featured Brad Pitt that shows why Head of the Class was so different from most sitcoms of the time.

US TV

Review: Banshee 1×1-1×2 (Cinemax)

Banshee

In the US: Fridays, 10/9c, Cinemax

Once upon a time, TV regarded cops as unimpeachable examples of morality. Whether it was Dragnet in the US or Dixon of Dock Green in the UK, cops did their jobs, stuck to the rules and never did anything bad.

Times changed, of course, albeit slowly. When writer GF Newman was pitching ideas to the script editor of Z Cars in the 70s, he suggested that one of the detectives be offered a bribe – and that the detective accept it. Newman was told: “Maybe this isn’t the show for you.” The script editor was right, because Newman went off and created his own show, the ground-breaking Law and Order (no, not that one), which depicted cops as corrupt, willing to bend and even break the law, and sometimes little more than criminals with badges.

This ambiguity continued through the 70s in the UK and into the 90s with the likes of Between The Lines all the way through to the present day with Luther.

In the US, while pretty much every cop show from the 80s onwards showed police who were ‘mavericks who didn’t play by the rules’, the police largely stuck to the rules. But again times changed, giving us first The Wire and then eventually The Shield, in which the corrupt cops committed almost as many crimes as the criminals they were supposed to be investigating.

Cinemax’s new show, Banshee, however, goes one further. All the shows I’ve mentioned are about cops who become criminals. But what if a criminal became a cop?

The show, exec produced by True Blood‘s Alan Ball, sees Lucas Hood (Antony Starr), one of the most notorious thieves in the US, get out of jail after a 15-year sentence for a diamond robbery. When he goes looking for his share of the diamonds from his former girlfriend and partner Anastasia Hopewell (Ivana Miličević), he ends up in the ultra-corrupt Pennsylvania town of Banshee, which coincidentally is expecting a new sheriff. When the sheriff is killed in a fight, Hood assumes his identity and becomes the new sheriff of Banshee, so that he can win Hopewell back, watch over the daughter he never knew he had and earn some money in the process, all while trying to evade Mr Rabbit (Ben Cross), a New York crime boss and Hopewell’s father, who’s been looking for her for 15 years.

Anyway, as you might expect, Hood uses criminal methods to do his job and the result is… interesting. Here’s a trailer.

Continue reading “Review: Banshee 1×1-1×2 (Cinemax)”

Thursday’s news “Stephen Dillane and Clemence Poésy enter The Tunnel, David Tennant is Richard II and Bad Teachers gets a pilot” news

Doctor Who

Film casting

Trailers

  • Clip from Austenland with Keri Russell
  • Clip from Warm Bodies with Nicholas Hoult and Teresa Palmer
  • Trailer for Side Effects with Rooney Mara et al

Theatre

French TV

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting