Just a little heads-up for Network Awesome, which is a slightly awesome web site that’s a bit like a TV station. It doesn’t actually make programmes, but instead has a daily playlist of old TV and movies that they think is worth watching. They’re currently airing an episode of The Prisoner a week and were showing the BBC’s 1984 last night, so give them a try.
Month: March 2011
Friday’s “international Wonder Woman of mystery” news
The Daily News will return on Monday 14th March
Film
- Mira Sorvino, Dermot Mulroney to star in Trade of Innocents
- Catherine Zeta-Jones joins Lay The Favourite
Books
- New Bridget Jones book and movie planned
British TV
- News Corp cleared to spin off Sky News, take over BSkyB
- Whitechapel to return as six-part series
US TV
- Casting on Wonder Woman, including Elizabeth Hurley as the villainess
- Ginnifer Goodwin joins Once Upon a Time
- Kevin Spacey and David Fincher team up for House of Cards remake
- The appropriately named Jeff Hephner joins Playboy
- Lucy Griffiths to star in Awakening, Robin Givens in Tagged plus other pilot casting
- Aidan Quinn joins Prime Suspect
- Rebecca Mader joins No Ordinary Family, James Callis joins 17th Precinct + other pilot casting
- Nadine Velazquez joins the Rob Schneider pilot
- Ben Aldridge joins Heavenly
- New characters on Rizzoli & Isles
- Teaser trailer for Tron: Uprising
- Mr Sunshine and Criminal Minds: Suspect Behavior get better ratings
Old Not Quite Gems: The Highwayman (1987)

Glen A Larson was, as I may have mentioned once, twice or possibly even three times before, one of the most powerful US TV producers of the late 70s and 80s. The creator of Battlestar Galactica, Magnum PI, Buck Rogers in the 25th Century and Knight Rider, among other shows, he shaped the face of US television for pretty much a decade. Some of his shows did well, others not so much, but he was still one of the most influential people in television.
However, things started to peter out for him by the end of the decade, and one of his last shows – before he eventually hit rock bottom with Night Man – was The Highwayman, a poorly remembered (and slightly poor) show that aired largely in the wee small hours of the night over here in the UK. It was set in the near future where, as the narrator at the beginning of each episode said, “There is a world just beyond now where reality rides a razor-thin seam between fact and possibility, where the laws of the present collide with the crimes of tomorrow. Patrolling these vast outlands is a new breed of lawman, guarding the fringes of society’s frontiers they are known simply as Highwayman and this is their story.”
Part Mad Max, part Max Headroom, the basic idea was that in the “near future” (1992) a group of law enforcement officers who dress like bikers roam the desert roads of America, trying to prevent crimes. Most of these crimes will apparently be quite futuristic, involving aliens, robots, cloning, time travel and mind-reading among other things. To prevent these crimes, they have futuristic weapons and, in keeping with Larson’s other super-technology shows, trucks that can turn invisible and the cabins of which can separate off as helicopters or cars.
Who exactly these law enforcement officers worked for is unclear, but in the pilot episode they worked for Claudia Christian (Babylon 5), in subsequent episodes Jane Badler (V and Mission: Impossible). The hero of the piece was Sam J Jones (Flash in the movie Flash Gordon), who’s only called The Highwayman or “Highway” throughout. After the pilot episode, he’s joined by another Highwayman, Jetto, played by Australian ‘actor’ and Aussie rules football star Mark “Jacko” Jackson (which gave us the timeless on-screen credit “co-starring Jacko as Jetto”) and Tim Russ (Star Trek: Voyager, Samantha Who?) as an engineer with a very bad moustache who helps fix his truck when it has problems.
Jones fit the part exactly as “Highway”, but largely and despite guest appearances from the likes of Jimmy Smits, G Gordon Liddy and Rowdy Roddy Piper, this was a very poor show. The scripts were fun but dumb, it had a slightly catchy theme, but the action was a little lacking – although briefer in duration than Manimal‘s transformation scenes, the inevitable copter-separation only slowed things down – and it was too low budget to do much well. Jacko was also an incredibly bad actor. Just terrifyingly bad. Which made every scene he was in like fingernails down a blackboard.
You can watch most of it on YouTube, but here are the starts of a few episodes.
April 2011 at the BFI

Time for our regular look at what TV’s on at the South Bank in London in April. As well as previews of an Arena documentary about George Martin and ITV’s The Suspicions of Mr Whicher (with Paddy Considine and Peter Capaldi), there’s a children’s TV drama of the 80s season called ‘Dramarama and Beyond’, which should be worth watching if only for the Dramarama episode Mr Stabs and the first episode of Steven Moffat’s Press Gang. Yes, I know that’s a season two picture, but would you rather have Lucy Benjamin or Gabrielle Anwar in-shot?
Third-episode verdict: Mad Love
In the US: Mondays, 8.30/7.30c, CBS
Well, you have to admire a show for consistency, even if it’s merely consistently bland. Mad Love – in part a mimic of another of CBS’s sitcoms, How I Met Your Mother but in essence the US answer to Gavin & Stacey, with a central blandish couple who fall in love at first sight being eclipsed by their more interesting love/hate each other at first sight friends – has been nothing but bland, despite the best efforts of a good cast.
Much like the first episode, each week, we go through a situation in which the two main characters get to know each and they turn out to be as bland as we thought; meanwhile, the two wacky friends get to be wacky at each other, all without raising much by the way of laughs. At no point do you really care about the bland couple; you kind of want the wacky pair to get together, but since that’s so completely inevitable and you’ll have to sit through standard but inept US sitcom putdowns to get there, you don’t want it that much.
There have at least been attempts to give all the characters some background and we even know what Sarah Chalke’s character does for a living now – ooh! But with scripts that rarely offer anything fresh or original in terms of comedy, that’s the best that can be said.
One to skip, despite the cast who deserve much, much better.
Carusometer rating: 4
Carusometer prediction: dead by the end of the season
