What have you been watching this week (w/e May 14)

So what have you been enjoying on the gogglebox this week? Apart from some review copies of Saracen, which I’ll be properly reviewing on the 4th June, here’s what’s been on my gander-list:

  • Community: The paintball episode last week was outstanding. Character development, an hilarious homage to zombie movies and more – why the hell hasn’t Comedy Central or someone in the UK picked this up yet?
  • Cougar Town: Fun but forgetable as always
  • House: A reversal again, with the medical mystery being very dull, but the doctor strand being much more interesting. This week, House is to the forefront with the welcome return of Andre Braugher. Full of interesting revelations, good character moments and some great directorial touches involving some very theatrical techniques.
  • Lost: Oh dear. Have we been waiting all this time for that? A shiny light? The last two episodes had better be better than that, that’s all I’ll say, or I”m going to be very, very annoyed.
  • Modern Family: Not quite up-to-date but some reasonably funny episodes
  • Parenthood: Feels a bit of a chore at times, but with the slow general shift over to the women’s stories, it’s become more interesting, although it could do with a bit more funny. The highlights are always Erika Christensen’s subtle lawyer-mom fights with stay-at-home Buddhist mom.
  • Stargate Universe: Very good as always, with the “stones” used well for once, here to get a disabled ex-love of Rush’s onto the Destiny, but in someone else’s non-disabled body, of course. Some poignant moments, some extreme tension from the aliens, some bits that make you think “Hmm, they’re obviously going somewhere with this?” such as (spoiler) how exactly did the three left behind on the planet get back on board if the Destiny was out of range? All in all, worth watching.
  • 24: The ickiest ever 24 torture scene and the first time where we conclusively say “Jack, you’re wrong”. Where they’ll be going with the finale, I can probably predict, but after that? Hmm. That’ll be interesting to see

Yes, I haven’t got round to watching either Luther, episode two, or Chris Ryan’s Strike Back parts three and four, but I’m sure I will. But what did you watch?

As always, no spoilers unless you’re going to use the <spoiler> </spoiler> tags, please. If you’ve reviewed something on your blog, you can put a link to it here rather than repeat yourself (although too many links and you might get killed by the spam filter).

Sitting Tennant

Friday’s Sitting Tennant (week 19, 2010)

Erin C's Sitting Tennant

kellyann06's Sitting Tennant

Rachel's Sitting Tennant

Rullsenberg's Sitting Tennant

Sister Chastity's Sitting Tennant

Toby's Sitting Tennant

More Tennanty delights thanks to the usual suspects, as well as that little tinker, kellyann06.   

  1. Rullsenberg: 135
  2. Erin C: 125
  3. Sister Chastity, Toby: 105
  4. Rachel: 80
  5. Sabine: 60
  6. Karen: 35
  7. Dawn: 10
  8. kellyann06: 5

BTW, Ra, after being tricked by Isis into revealing his secret name, let me know that you shouldn’t forget Tuesday’s caption competition.

Got a picture of David Tennant sitting, lying down or in some indeterminate state in between? Then leave a link to it below or email me and if it’s judged suitable, it will appear in the “Sitting Tennant” gallery. Don’t forget to include your name in the filename so I don’t get mixed up about who sent it to me.

The best pic in the stash each week will appear on Monday and get ten points; the runners up will appear on Friday (one per person who sends one in) and get five points.

You can also enter the witty and amusing captions league table by commenting on Monday’s Sitting Tennant photo, the best caption getting 10 points, everyone who contributes getting five points.

Classic TV

Lost Gems: Touching Evil (US)

PLEASE WATCH THIS SHOW.

Is six years too soon for something to be a Lost Gem? Whatever the haggling on that one, it’s a moot point now, since a Lost Gem is about to be recovered (briefly).

PLEASE WATCH THIS SHOW.

The world is occasionally filled with small miracles. Tonight, starting at 2.45am, ITV1 in the UK has decided to reshow the US version of Touching Evil, one of the TV shows regularly flagged up in Top Ten Lists of “shows that should never have been cancelled”. Now you can take a trip back in time to 2005 and my fifth ever blog entry for a very exciting brief essay on why you should all watch it (and an exhortation that you should all watch season two of The Wire on FX, proof if any be needed that I’m right before everyone else, including Charlie Brooker, and you should all listen to me) or you can stick with me here for a few seconds for some updated reasons.

PLEASE WATCH THIS SHOW.

If you’re unfamiliar with both the UK version (which starred Robson Green, was created by Paul Abbott with occasional scripts from the likes of Russell T Davies) and the US version, the more literal plot is that it’s about a police detective who gets shot – in the head – and who comes back to work brain damaged, his life a mess and his personality altered. However, that brain damage also gives him certain insights and skills (nothing supernatural, unlike the UK version) that enable him to catch criminals better, even if it does make him obsessive and cross lines he genuinely shouldn’t cross.

The less literal theme of the show, as the title suggests, is the corrosive nature of evil – how it affects those who do it, those around them and above all the people who have to stop them. And it’s brilliant. It’s dark, it’s brilliant, and it isn’t afraid to go to places US TV almost never goes. And happy endings in it are very, very rare, which isn’t to say it isn’t also very funny at times.

Why’s it so good? Mainly, because of the writing. It has scripts from the likes of Bruno Heller (Rome, The Mentalist), Ronald D Moore (Battlestar Galactica), Anna Fricke (Everwood, Men in Trees, the forthcoming US version of Being Human) and Michael Angeli (Battlestar Galactica).

But it’s also exec-produced and occasionally directed by the Hughes Brothers (Dead Presidents, From Hell), who give the show a distinct air of unreality. You’re never quite sure if the whole thing is some near-death experience of the lead character’s; whether it is or it isn’t, it’s certainly beautiful to look at.

As if all that weren’t reason enough, there’s the cast. It stars Jeffrey Donovan from Burn Notice and the Oscar/BAFTA-nominated Vera Farmiga (Up in the Air), and co-stars Bradley Cooper (The Hangover, The A-Team) and Kevin Durand (Lost). They weren’t such big names back then so now you get to see them c2004, stretching their acting muscles.

It also features guest appearances by actors including Peter Wingfield (Highlander, Caprica), David Eigenberg (Sex and the City), Andrea Thompson (Babylon 5), Pruitt Taylor Vince (Deadwood) and the mighty Željko Ivanek (Damages, Heroes), who manages to out-do Ian McDiarmid, who played the same role in the UK original.

To whet your appetite and to show you what kind of series it is, here’s the first three minutes or so, followed the wonderfully dark title sequence and excellent theme tune (episode two onwards), and a clip of some of the series highlights, should you want to spoil it for yourself.

But whatever you do, do yourself a favour and watch it. It’s not out on DVD and it only gets repeated every five years (although you can scour YouTube for the eps if you miss one).

Friday’s “let the knives fall” news

Film

Theatre

British TV

US TV