Friday’s Midland cowboy news

Doctor Who

Film

Radio

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Thursday’s news for (criminal) dummys

Film

  • Gary Oldman, Malin Akerman, Harvey Keitel and Milo Ventimiglia to star in Criminal Empires for Dummys (sic)
  • Guy Ritchie working on King Arthur film

British TV

US TV

  • 24‘s Elisha Cuthbert joins Happy Endings
  • Pilot casting, including The Wire‘s Sonja Sohn on Body of Evidence
  • Amy Acker to guest on Human Target
News

Barbie – The Mad Men collection

Mad Men - The Barbie collection

It’s a world gone mad, I tell you. Mattel are releasing Ken and Barbie dolls based on Mad Men‘s Don Draper, Betty Draper, Roger Sterling and Joan Holloway.

The dolls come with period accessories like hats, overcoats, pearls and padded undergarments, but no cigarettes, ashtrays, martini glasses or cocktail shakers…

The pairing of Barbie and “Mad Men” is more interesting than the typical licensing agreement because of their shared history. Barbie was introduced in March 1959, and the first episode of “Mad Men” is set in March 1960.

“ ‘Mad Men’ represents so beautifully the universe that created Barbie,” said Robert Thompson, professor of television and popular culture at Syracuse University, because the series is about the selling of the American consumer society.

The personification of Betty Draper as Barbie is particularly resonant, Mr. Thompson said, because she represents “the wife who lives in her dream house whose soul is eaten away.”

“I have this fantasy of an 8-year-old getting a set” of the dolls, he added, “and saying: ‘Mom, can Chelsea come over? We want to play “The Man in the Gray Flannel Suit.” I’m going to be the organization man, and she’s going to be the soulless drone.’ ”

What games do you reckon are actually going to be played?

Question of the week: what is the significance of Kathryn Bigelow’s Oscar win?

So I’ve been a fan of Kathryn Bigelow for a long time – in fact, ever since she was on Howard Schuman’s Moving Pictures back in the early 90s, giving a breakdown of that famous chase scene in Point Break. I’m delighted that she’s won the Oscar for Best Director this week for Hurt Locker, making her the first female director ever to win that award.

But this week’s question is:

Is Kathryn Bigelow’s win significant?

Obviously, it’s a significant first. But is Hollywood going to change as a result? Are more female directors going to be given breaks? Is it merely just a sign that the industry has already changed? Could it even have a bad effect, letting producers and studios think progress is being made now, so not putting so much effort in in future? Or is it simply that the best director won the award this year and there’s no greater significance to it than that?

As always, leave a comment with your answer or a link to your answer on your own blog.

Wednesday’s ticking clock news

Happy seventh wedding anniversary to me!

Film

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