Big Finish are in something of a quandary when it comes to these Lost Stories. The idea behind them is to do a “full cast” production of a script or story that for one reason or another never got made, so that fans can finally have something like what was supposed to be on screen (but wasn’t).
But as I’ve said before, sometimes there have been good reasons for stories not getting made. For example, apart from production difficulties, the script not getting handed in on time, etc, how about because it’s just rubbish?
What do you do if you’re Big Finish and the story is an absolute heap of sh*te? I mean terrifyingly, Timelash/Twin Dilemma bad. On TV, there are these people called script editors who take the scripts writers produce and, if necessary, make them palatable. But if Big Finish edits a really bad script that never got passed by a script editor, is it the authentic production fans wanted? If they don’t, aren’t they going to be making an absolute heap of Timelash sh*te?
The route Big Finish chose with Mission To Magnus, Philip Martin’s lost script from Colin Baker’s aborted second season, was not to edit the script. Oh dear.
Now Mission To Magnus has everything: it has the Doctor’s school bully; it has a planet ruled by women facing war with a planet ruled by men; it has Sil from Vengeance on Varos, who has a consignment of winter woolies (his words, not mine) to sell; it has child actors.
In short, it’s an absolute heap of sh*te. Normally, I don’t endorse Third Reich policies, but if you can, please burn any copies of this play that you come across. Please.
Continue reading “Review: Doctor Who – The Lost Stories – 02 – Mission To Magnus”
