Heroine obviously has a lot of mileage, so it can be someone you admire (since your TV heroine need not be fictional), a favourite character, or even someone you think is a good role model.
I’m going to go for a combo of Verity Lambert, Kate Adie and someone else I’ll probably think of later once everyone’s started suggesting people (otherwise, I’ll end up picking Liz Shaw again). How about you?
As always, leave a comment with your answer or a link to your answer on your own blog.
There’s a general opinion that all the women on classic 70s/80s BBC sci-fi show Blake’s 7 – with the exception of the evil Servalan – were a bit rubbish. To a certain extent, that’s true: Cally, Jenna and even Dayna had a certain “not very good” quality to them.
However, in the fourth series, along came Glynis Barber (later to become Makepeace in Dempsey and Makepeace) as gunslinger Soolin and changed all of that by basically kicking arse a lot and not once getting kidnapped, tied up, etc.
She also had a very dry wit to match Avon’s:
Vila: Why do I get all the dirty jobs?
Soolin: Typecasting?
Soolin: All sweet things have one thing in common: a tendency to make you sick.
Soolin: I really could be quite annoyed if I thought we’d been the bait in a trap you’d laid, Avon.
Orac: Join us, Soolin. We can fulfil your every desire.
Soolin: You wouldn’t know where to start.
[after Soolin slaps Piri’s face]
Tarrant: You enjoyed that, didn’t you?
Soolin: There are two classic ways of dealing with an hysterical woman. You didn’t really expect me to kiss her, did you?
Tarrant: Of course, you know what this is about, don’t you? It’s simple female jealousy.
Soolin: Oh, terrific. If two men don’t like each other that’s a rational judgement. If it’s two women what else could it be but jealousy?
Anyway, someone took all her best action/looking slinky in a jumpsuit bits, stuck them to a soundtrack of Suede’s ‘Killer’ in an artistic kind of way and turned them into a music video. God bless him, that’s all I say, although it’s a shame you don’t get to hear any dialogue.
Some people don’t get Top Gear. Some people, usually those who haven’t watched it, think it’s just Jeremy Clarkson being a right-wing nutbag, running over animals in cars while running his own personal carbon dioxide manufacturing plant.
Okay, so JC does get to spew some of his stranger ideas now and then, but everyone takes the piss out of him for being a nutter when he does.
No, Top Gear is about having fun. It’s about silliness and mucking around.
Don’t believe me? Then watch this video showing the essence of Top Gear: some nuns being given the chance to drive monster trucks.
Maybe there’s a reason other than the obvious ones for why I don’t like Ashes to Ashes: it reminds me too much of Gentle Touch spin-off C.A.T.S. Eyes. Yes, much like Fox Force 5, it featured an all-woman group of government spies (Covert Action – Thames Section) working undercover as private detectives at an agency called Eyes.
Oh dear God.
The Gentle Touch was something of a ground-breaker. A long-running series about a female police detective, Maggie Forbes (played by Jill Gascoine) and the pressures of the very male environment in which she worked, it was something of a pre-cursor to Prime Suspect.
So sending the character and the actress who played her to do grunt work in C.A.T.S. Eyes was akin to sending Helen Mirren and DCI Tennison off at the end of Prime Suspect to mop up the garbage on Captain Planet.
The rest of the team (for series one at least) consisted of posh bird Rosalyn Landor, playing the head of Eyes, Pru Standfast; and Leslie Ash, playing Fred Smith, casual racist and computer expert.
Yes, Leslie Ash. She was quite hot then – at least 13-year-old MediumRob used to think so at the time.
Running the whole operation from Whitehall was Don Warrington of Rising Damp fame. Oh, how the mighty have fallen.
Pru left at the end of series one (allegedly because none of the actresses got on, but who knows). Maggie Forbes took over, and more obvious totty Tracy Louise Ward joined as Brunette A CipherTessa Robinson.
The titles for the first series changed each time, with the agent who was the focus of the story getting the main titles time. In a second, the titles from the first series’ ‘good episode’, Frightmare, in which Fred takes her date to the office and gets doused in hallucinogens so he can steal all the office secrets, IIRC. Apparently, girls don’t like to see centipedes on their keyboards or something.
Here they are, beamed to us directly from 1985 by a benevolent engineer who used to work for old ITV franchise TVS. Prepare to laugh and wonder if in fact Keeley Hawes is playing a snottier version of Pru Standfast in Ashes to Ashes.
For those who want to see how desperate things got, live from a VHS recording from The Family Channel, comes this six minute chunk from an episode of the second series, complete with funky new titles and new theme.
