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Review: Doctor Who - The Waters of Mars

Posted on November 16, 2009 | comments |

The Waters of Mars

In the UK: Sunday 15th November, 7pm, BBC1/BBC HD
In the US: Saturday 19th December, 9 pm ET/PT, BBC America

Best nu-Who episode ever.

Probably.

Spoilers lurking ahead under the surface.

Okay, it might not be absolutely the best nu-Who ep (let's not start that fight), but it's definitely up there near the top of the list. The episode was essentially two things: a "base under siege" episode crossed with a philosophical musing and character development for the Doctor.

Base Under Siege
This is, like, a Doctor Who technical term. "Base Under Siege" is, as it says on the tin, everyone in a base, the baddies are trying to get in, the goodies are trying to stop them and getting picked off one at a claustrophobic time, and there's a lot of running up and down corridors trying to escape. It was pretty much every single story of the Patrick Troughton era (there was even a template set up for it by Cyberman creator and series script editor Gerry Davis) but it's cropped up more or less every season since.

Why? Because it allows you to be creepy and scare little children, which is a good thing.

On the whole, though, this was the lesser of the true strands, although it was certainly no slouch. Not a huge amount happens in the base under siege plot - but then nothing usually does in these plots, beyond horror build-up, moments of horror pay-off, then return to build-up again. Some of the secondary characters could have done with a tad more development to make us care for them, but most of the characters were well served and went off in slightly tear-jerky ways.

While we had Graeme Harper at 90% strength, doing some wonderful close-up work with David Tennant and Lindsay Duncan and creating a very dark scary environment for the show, those running scenes undermined the tension, as did Murray Gold - although he managed to stay in the background most of the time. The sets looked a little flat and cheap (in HD anyway), as did the monster crusting effect, and there were a few moments, such as the Doctor and Duncan on a rocket-propelled robot, that undermined the tension still further.

The infectious water monster was a little inexplicable, was ultimately The Thing (John Carpenter remake), and was a bit dumb to say the least, but nevertheless was very creepy, especially in its ability to break in through various impregnable areas. Again, Waters of Mars was The Thing in its conclusion, as well, but I love The Thing, so I'm not fussed.

But as "Bases Under Siege" go, this was the one of the best I've seen for a while. There was real tension, thanks to some good scripting by Phil Ford and Rusty, particularly because we know what's going to happen from the beginning: everyone's going to die, even if there was a get-out clause.

Ultimately, though, this wasn't really what the story was about.

Time Lord becomes god and regrets it
As Rusty predicted, this is the story in which we find out why it's a good idea that the Doctor has a companion: if he doesn't, absolute power goes to his head and he thinks he's above the laws of the universe. We had a similar situation in Fires of Pompeii, but this time we had no Donna to turn the Doctor away from the dark side, and he goes overboard.

For most of the story, though, this just looked like another story of the Doctor's sad lot in life, thanks to all that responsibility heaped on his shoulders. I was enjoying that. David Tennant was doing some fabulous work, as was Lindsay Duncan. We saw the Doctor being very unheroic, and walking away from a barney.

It was great.

Then for a terrible moment, once he starts to go back and fix things in a very obvious, easy sort of way, I thought Rusty and Phil Ford had ruined everything. Emotional, survivor-guilt laden episode thrown away in favour of the crowd-pleasing option.

But then our hero goes massively over the top and decides he's god, saves everyone, says screw it to the web of time and says he's going to keep on doing more of the same. Brilliant. Our hero crosses over to the dark side, because he's had enough of everyone dying.

Loved it.

Then, better still, everyone goes running off in fear at what the Doctor has become, and Lindsay Duncan kills herself because she understands the true nature of responsibility. Doctor realises he's crossed the line, sees the time lines change in his own mind, and wonders if it's time to die now. With an Ood turning up because Logopolis's 'Watcher' couldn't make it, we're clearly going into even darker areas for The End of Time, areas that might even be more fantasy and metaphysical than sci-fi. The Doctor's death approaches and he appears to have a different relationship with it than we do.

So very good, very dark, and very enjoyable in many ways. "Base Under Siege" could have been a bit more tense, and there were a few moments that didn't make sense, but it was excellent work nonetheless. It's certainly up there with Turn Left.

Don't you think he's looking tired?
One thing I will say though - heretic that I am - is that whether it was the lack of companion or the slight retread of previous themes, Tennant's Doctor is starting to feel old. For most of the show, the character wasn't doing anything new. There wasn't much we hadn't seen before from this Doctor until the end, and what we saw then was a step too far and what was clearly the beginning of the end.

Maybe it really is time for Matt Smith and Steven Moffat to offer us a new character and a new slant on the series, before DT does a Tombo and outstays his welcome, excellent though he is. With Waters of Mars the last pre-regeneration story of DT, it's a great swansong from Doc number 10.

Related entries

  • January 4, 2010: Doctor Who - The End of Time - Parts 1 and 2
    A review of parts one and two of the Doctor Who story The End of Time
  • April 11, 2010: Review: Doctor Who 5x2 - The Beast Below
    A review of the Doctor Who episode The Beast Below

  • Also just wanted to add that with all of the TV blogs out there that I read, it's rare when I follow the comment threads as well. The Medium Is Not Enough is one of those exceptions. Not that I could ever claim to know you folks, but I look forward to reading the thoughts of all these familiar names as much as I do the posts by Rob which inspire those comments.

    And today, having seen the episode just last night, this has been one of the most interesting discussions I've read; pretty heady stuff!

  • "Of course, simply because the Doctor says something is true, doesn't mean it is true. He can be mistaken, too, as he was in this case."

    I've long held the belief that the Doctor also lies when it suits his purpose. His age was changed with the reboot and if we demand adherence to other details from the past, something like that has to be addressed in some way. Therefore, he lied about his age.

    Same goes for other things, like travel between dimensions to the parallel worlds, etc.

    (Finally saw this episode last night, and loved it. But like Bob, I also thought that "he could have saved them but taken them somewhere far from 21st century Earth". He was just too caught up in his hubris to realize there were other options.)

    Off to fix my crux capacitor!

  • "Blimey, a lot of heat is getting expended on this post isn't it? Not quite 'great blonde elevator' comment thread length but darn substantial. I like your last reply to SK btw Rob. Well put."

    Well, thank you. Maybe we should have a "which 10 made-up laws of time would you like to share an elevator with?" meme.

    Well done everybody else too. This one had legs.

  • Blimey, a lot of heat is getting expended on this post isn't it? Not quite 'great blonde elevator' comment thread length but darn substantial. I like your last reply to SK btw Rob. Well put.

  • Marie
  • Anonymous

    FWIW, I'm on the same wavelength as SK: you can't tell a good sci-fi story without a bit of arm-waving, but you need to be careful where you put it, and in this episode a very weak bit got put right at front-centre with the whole emotional weight of the piece hanging from it.


    It's not really about logic - none of Who works if you start thinking about that too deeply - but for me at least it musn't feel so utterly arbitrary and trivial in its consequences.


    The powers and vulnerabilities of vampires, werewolves and the like are equally arbitrary, but they have the weight of many years of storytelling behind them and for the purposes of creating drama they are as convincing as everyday things like gravity, taxes and tooth decay.


    The dodgy time travelling logic of Blink didn't matter, because the prime power of that came from the very simple, very chilling idea that maybe statues move when you're not looking. And maybe they're out to get you.


    This was just a naked plot device: "it's important that you die, so that I can experience powerlessness and then the consequences of ignoring the rules". And of course so that he can become a tragic hero who must eventually die because he can go on no more. Yada, yada, yada. ;)

  • "The Blinovitch Limitation Effect was a throwaway line when it first appeared, so it's hardly surprising it wasn't explained (indeed, that was the joke: the Doctor says 'oh that can't happen because of the B.L.E.' as if Jo knows what he's talking about)"

    Not exactly. It was throwaway, but it was designed to plug a gap. Jo asks the Doctor why, if they cock up, they can't just go back in time again and fix their balls-up as well. The Doctor says 'Ah, that's because of the BLE,' Jo asks 'What's that?' and before the Doctor can say, he's interrupted.

    That's bigger handwaving that "fixed points in time" by miles and it was jokey and we accepted it, just as we accepted the first Doctor's "but you've discovered television, haven't you?" explanation for why the TARDIS is bigger on the inside than the outside.

    Without timey-wimey things, there wouldn't have been Day of the Daleks, Mawdryn Undead, Remembrance of the Daleks, Blink, et al. Mawdryn Undead wouldn't have happened at all without an arbitrary made-up Timey Wimey rule. Ditto Father's Day - what happens when paradoxes happen as a result of time travel? Big beasties pop up, that's what. Who says? We do.

    I don't think there's anything wrong with arbitrary rules in your entirely made up universe, any more than there's anything wrong with having your vampires not show up in mirrors, your werewolves allergic to silver, et al. It's your universe. Do you really need to explain exactly why your vampire hero can't go out into the daylight? Do you need to explain the photons and how they react with the dead cells in vampire skin, creating an exothermic reaction? Or can we simply assume that because the vampire says it will be bad, it'll be bad?

    Fixed point in time could be explained by numerous bits of quantum mechanics if you really, really wanted (interference with the troughs in overlapping universal quantum wave functions simply causes them to go out of phase, creating destructive interfere that sums over histories to zero; if all of history is only here because we are the observers who observe the past and resolves the wave functions, interference with the observers at a fixed point causes all of the past to be rewritten as well, causing wave functions to no longer collapse).

    But "bad, bad things, like the stuff we saw in Father's Day, Logopolis, et al" but worse were the general implication and I'm happy with that. It's implied, it's not spelt out, but that's okay. Maybe it will be one day, maybe it won't be. It's a Macguffin as bad as Notorious's uranium but I'm willing to go with it, at least.

  • SK

    Generally we don't have to take it as read that when the Doctor looks a bit terrified bad things will happen, though: there's generally some suggestion as to what those bad things might be, like a monster rampaging around the place or some mysteriously dead bodies.

    The Blinovitch Limitation Effect was a throwaway line when it first appeared, so it's hardly surprising it wasn't explained (indeed, that was the joke: the Doctor says 'oh that can't happen because of the B.L.E.' as if Jo knows what he's talking about). And in 'Earthshock' (or rather, 'time-Flight', which is where the 'can't we go back for Adric' discussion is) it's again not a major dramatic crux and swept under the carpet as quickly as possible -- which is the best thing to do with these kind of wibbly time-travel things, sweep them under the carpet and get on with a real story with real jeopardy (that's how the old series played it, most of the time) because if you look at them too hard -- as for example when you make them the focus of an episode -- it becomes all too obvious that they are just arbitrary made-up rules.

    It's the same as how you don't do an episode about how the Doctor can't stop the holocaust. There's simply no dramatically satisfactory answer to that question (the novel which tried to address it only succeeded in proving that) so the best thing to do is just accept that your audience realise that would be in bad taste and move on.

    The problem with the Ood at the end is that if it is foreshadowing universal disaster then it looks fearfully like that disaster will be another one of the Davies era's no-logical-causality 'this is what's happening now, we know it doesn't follow on from the last scene, but just accept it because Murray Gold is playing strings at you.'

  • bob

    "But rescuing people is a clear and obvious good, while the 'Laws of Time' are abstract and arbitrary and the kind of thing the Doctor breaks all the time anyway."

    For what it's worth, I was convinced of the wrongness in messing with time. For me, the choice between saving people and keeping the timelines the same wasn't at all clear cut (well, except that he could have saved them but taken them somewhere far from 21st century Earth and hence done both but nevermind). Actually I think I agree with the line Adeleide took- a good future is worth a sacrifice.

    As an aside, I am not sure why the Dalek, intent on destroying reality, would spare Adeleide.

  • "But it is part of the crux. Both those things you identify rely on there being some reason why he shouldn't save them -- some 'bad side-effects' or some 'evil result'. But what these bad side-effects are or what that evil result might be is not convincingly shown."

    We take it as red, generally, that when the Doctor looks a bit terrified, then bad things will happen. We've already had Father's Day show what happens when one law of time set up by the Time Lords gets broken. Isn't it kind of in the same area by implication?

    The effects of the Blinovitch Limitation Effect weren't explained for a decade. Why Adric couldn't be saved at the end of Earthshock isn't explained without it and then only implicitly. Yet it takes until Mawdryn Undead for the explanation to turn up. Doesn't mean Earthshock or the ending of Earthshock was bad.

    Who's to say (apart from Rusty and co until December 25th) that the Ood turning up at the end following the Doc's cock-up (a la The Watcher in Logopolis - we got the Cloister Bell later didn't we, or was that in the End of Time trailer?) isn't the herald of the universal disaster that's still to come?

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