Friday’s “just realised Broadcast’s RSS feed has changed location” news

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Thursday’s “people find soft porn interesting” surprise news

Doctor Who

  • Pipes’ Secret Diary of a Call Girl gets a second series and US networks are interested

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Worrying new trend imported from the US

There’s a worrying new trend I’ve just started to notice. Its perpetrator is Channel 4.

As we all know, in the US, TV seasons tend to run from August/September through to May/June (give or take a month depending on which network the show’s on, the show, whether it’s a summer season show, etc). Now, with 22-24 episodes per season, that’s still not enough to allow for new episodes every week. Sometimes, as with Lost and Daybreak, US networks will simply insert a new show into the time slot and then carry on with the old show.

But most of the time, they’ll simply put on an old episode of the same show – hence the pressing need for gruff narrators to preface trailers with “next week on an all-new Woof the Sheepdog” or whatever, so that viewers know when a new episode rather than a re-run is going to be on.

This plays havoc with the ratings and annoys fans. But it doesn’t seem to be stopping Channel 4 from trying it out for themselves.

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Wednesday’s time-travelling déjà vu news

Catherine Tate and Billie Piper

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Review: Battlestar Galactica – Razor

Cylon centurion

When Battlestar Galactica first arrived on our TV screens, it was a surprise. It took a really bad old show that for some reason we all fondly remembered from our childhoods and turned it into a really good show that took military authenticity and married it with misery, dystopia and authentic human relationships.

But as time went on, the clean, uncluttered hardness of BSG got a little dulled both by the weight of its own mythology and the occasional lapse into dramatic cliché. That’s not to say it was bad – it was still one of the best shows on TV. It was just up its own arse a little bit.

Razor, an almost direct-to-DVD movie that aired on the SciFi channel over the weekend, is a distillation of the good and the bad of BSG. On the one hand, it’s tense, well acted, gritty and has fantastic effects. On the other, it’s more than a little bit pretentious, suffers from a few hackneyed plot strands and has yet more heavyweight mythology bundled on top.

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