What were you doing in 1992? Watching tele? Going to the movies?
Well, if you were Italian, you were probably a member of the government, the mafia or the police, fighting for control of the First Republic. At least, that’s what new Sky Italia series1992 suggests.
For those of you in the UK wanting to watch the latest show from the producers of Gomorrah, it should be airing simultaneously on Sky Arts with its Italian broadcast, starting March 24. But if you happen to be in Italy, I’m sure you’ll be delighted to hear that until then, from this Saturday, Sky Italia is going to be creating a temporary new channel dedicated to the year 1992. Featuring movies including Wayne’s World and Mediterraneo,and classic sports events of 1992 including John McEnroe versus Andre Agassi at Wimbledon, it will also feature TV shows such as The Fresh Prince of Bel-Air, Family Matters, Beverly Hills 90210, Melrose Place and Baywatch.
Suddenly, looking at that list, I’m not so nostalgic for 1992. Oh well.
Fed up with Northern European TV? Then how about some Southern European TV? Arrow Films, which pumps out lots of Nordic Noir titles in the UK, has just decided to launch an Italian range called Criminale Italia. First up are Gomorrah, Inspector Nardone and Fogs And Crimes, coming out on October 27th.
Arrow Films’ Noir label continues to scour the globe bringing UK viewers the very best in foreign language film and television. Following the incredible success of Danish dramas The Killing, Borgen and The Bridge, and French title Braquo, Nordic Noir are pleased to announce the arrival of a host of new Italian shows to their roster of Noir titles.
Such is the strength of Italian crime television that Arrow Films have launched Criminale Italia, an exciting new subsidiary of their Noir label. Alongside the upcoming and acclaimed modern-day Italian gangster epic Gomorrah, the label will release the hugely popular Italian shows Inspector Nardone and Fog & Crimes on DVD from 27th October.
Inspector Nardone Post-war Milan is the ideal breeding ground for a new wave of criminal activity. A crime-scene that is very different from what we are used to today: an old-fashioned system of organised crime, made up of thieves and outlaws who share a specific moral code, which absolutely condemns homicide. A new chief officer is assigned to the Milan Police Department, as if to settle a score for having exposed his corrupt colleagues. This is just one of the various difficulties that Mario Nardone, an authentic Neapolitan, must face in the sophisticated and urbane Milan. A city which, nevertheless, Nardone loves unconditionally, and where he plans to bring up his beloved, albeit somewhat neglected, children.
Based on a real figure, Mario Nardone was a true legend in Milan during the 50’s and 60’s. Straightforward, persistently stubborn but also endowed with a strong moral code and a great sense of humanity, Nardone has deep loves; including his long-suffering family, good cuisine and cracking jokes at every opportunity.
Fogs and Crimes Inspired by the four famous novels by Valerio Varesi, each episode follows an investigation by Soneri, Ferrara Police Chief. He works with a faithful squad on a series of crimes, each hiding a disturbing mystery, with the startling and grotesque undertones of the apparently calm world of the wealthy countryside.
It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.
The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also theReviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’sLocate TV.
I’ve still got S4C’s 35 Diwrnod to watch – hopefully, I’ll get a mini-review up later today. But I did also watch:
Inspector De Luca (UK: BBC4; Italy: Rai 1)
Breaking Sky Arts’ stranglehold on South Mediterranean TV again, BBC4’s managed to find this 2008 series from Italy, based on Carlo Lucarelli’s series of books. Set in fascist Italy during the 1930s, it’s actually very good. Although the hero’s a bit rubbish, he’s tenacious and interested in serving justice at a time when justice and the law could be very different creatures. The show has a real feel for both place and period, will little touches such as dogs named after Haile Selassie, the Italian version of the Hitler Youth, torture and more all making an appearance, even if Il Duce himself doesn’t. It’s also quite chilling in its depiction of life under fascist rule. Well worth a watch, even if there’s an obvious bit of bad dubbing and a truly awful soundtrack.
I also watched a movie:
Captain America: The Winter Soldier
Easily one of the best and smartest of the Marvel films to date. It’s a slight cliché, particularly thanks to the presence of Robert Redford, to say that it’s like a 1970s conspiracy theory movie, but it very much is, particularly The Parallax View and Three Days of the Condor. And with Captain America representing 1940s morality and having to deal with an age of profiling, drone warfare and more, it’s not just an interesting critique of the Marvel Universe, it’s also a critique of American domestic and foreign policies of the past couple of decades.
Of course, it’s still comics based, so there are nice little hat tips here and there, not only to the existing Marvel Cinema Universe (Iron Man, Hulk and others all get talked about) but to bits yet unseen – Dr Strange even gets name-checked at one point and then there’s the teaser for Avengers 2. Best of all, as well as the quite brutal car chases and fight scenes, which 3D ruins so watch it in 2D if possible, we do get lots of Black Widow (hoorah!) even if her more interesting comic book background has been ditched. And you’ll never look at Jenny Agutter the same way again. Heartily recommended, particularly because the ending utterly messes up Agents of SHIELD.
After the jump, the regulars, with reviews of Crisis, Secrets and Lies, 19-2, The Americans, Arrow, The Blacklist, Community, Continuum, The Doctor Blake Mysteries, Hannibal and Suits
It’s “What did you watch this week?”, my chance to tell you what I movies and TV I’ve watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.
First, the usual recommendations:
The Americans (FX/ITV)
Archer (FX, 5USA)
Arrow (The CW/Sky 1)
Being Human (US) (SyFy)
The Daily Show (Comedy Central)
The Doctor Blake Mysteries (ABC1/ITV)
Cougar Town (TBS/Sky Living)
Doctor Who (BBC1/BBC America)
Elementary (CBS/Sky Living)
Go On (NBC)
Hannibal (NBC/Sky Living)
House of Cards (Netflix)
Modern Family (ABC/Sky 1)
Shameless (US) (Showtime/More4)
Southland (TNT/Channel 4)
Spartacus (Starz/Sky 1)
Vegas (CBS/Sky Atlantic).
These are all going to be on in either the UK or the US, perhaps even both, but I can’t be sure which.
I’m adding to the recommended list both Plebs (ITV2) and Hannibal (NBC/Sky Living) (hopefully, I’m not being too quick off the mark there).
Still in the viewing queue: Jonathan Creek, last night’s Orphan Black, Arne Dahl and Rogue. I’ll be reviewing last night’s Doctor Who on Monday, when I’ve woken up. But I’ve tried a few new shows this week:
How To Live With Your Parents For The Rest of Your Life (ABC)
In which Sarah Chalke (Scrubs,Mad Love) is once again wasted, this time in an incredibly bland sitcom with an almost zero joke count. The story, for what it’s worth, is that Chalke splits up from her no-hope, but good-hearted husband and takes her kid with her to live with her parents. Six months later, she’s still there. Everyone, including Elizabeth Perkins as Chalke’s mother, tries really, really hard to make this work, but i’s just utterly bland.
Corleone (Sky Arts)
2007 Italian crime drama aka Il Capo dei Capi based on the life of real-life gangster Salvatore Riina, aka Totò u Curtu, growing up in post-war Sicily. Surprisingly well made for Italian TV, it is, nevertheless, completely unremarkable and lacking in interest for anyone who doesn’t know about said gangster. Trailer over here, for those who want one.
I’ve also been watching a few things on Netflix, just to mix things up a bit:
Black Books Yes, I never watched Black Books. Treat me like the leper I am. The first episode wasn’t bad and it surprised me to see Martin Freeman in it as a doctor, doing the exact same Martin Freeman routine he’s apparently been doing for the last 12 years now. Still feels like a slightly less funny cousin to Spaced, Hippies and The IT Crowd. But I’ll keep watching when I have time.
House of Cards (remake)
I finally got to the end of it. Yes, it ends on a cliffhanger. Yes, that cliffhanger is not the same as the BBC original’s cliffhanger. Yes, nothing much at all is resolved. But it’s still magnificent.
Spiral (season 1)
Yes, I know I’ve watched it already, but I thought I’d give season one a re-watch, since I’m now horrified to discover it was filmed in 2005 (although I think it took BBC4 a couple of years to pick it up). It’s remarkable to see what’d different and what’s changed. The directorial style, with the CGI zoom and crash zooms with sound effects are just weird; the swearing was considerably less than it is now; it’s filmed in Summer, so everything looks sunny for a change; Laure’s happy; Karlsson’s still learning how to be evil from the drunk struck-off solicitor; Clement’s still a magistrate; Romanians are the ethnic enemies; Pierre and Laure are shagging like very French bunnies. It’s all just so fascinating to watch and fun to see how the Spiral formula is still being worked on.
Now, some thoughts on some of the regulars and some of the shows I’m still trying:
The Americans (FX/ITV): Just keeps getting better every week, blurring the boundaries between who’s good and who’s bad in the cold war between the KGB and the FBI. The separation was unexpected, as was the final killing, and while the show obviously amps up the intrigue beyond what the KGB would have allowed their sleeper agents to do, it’s all done in as unshowy a manner as possible. A regular must-see.
Arrow (The CW/Sky 1): Despite the presence of Count Vertigo, this episode surprisingly didn’t suck and was actually quite good. Nice to see that they’re making the Chinese woman Oliver’s flashback mentor, rather than Deathstroke.
Being Human (US) (SyFy): Another US TV season ends with an overly sentimental wedding. Quelle surprise. But despite some good jokes in this final episode, it’s largely been a bit of waste of a season, offering no real plot advancement, with everything that happened in the first few episodes effectively reset by the end of the season. There have been a few changes and clearly a whole lot of things are being set up for next season that might pay off. But unlike the British original, it’ll probably still be worth watching. UPDATE: Duh! Obviously, it wasn’t the season finale. Silly me…
The Doctor Blake Mysteries (ABC1/ITV): A decent 10 episodes of intelligent TV period crime drama. It became a little formulaic towards the end, with less of the period commentary than before, but the story arc about Blake’s family was very well handled and moving, and the ending only promises good things for the future.
Elementary (CBS/Sky Atlantic): Surprisingly close to a genuine Sherlock Holmes mystery, although Jill Flint was badly unused. The addition of Doyle’s Hudson to the roster of characters was very welcome, changing the Watson/Holmes dynamic in useful ways, and well handled, too, given the changes made by the producers. The story was also a good way to capitalise on New York’s recent weather ‘issues’.
It’s Kevin (BBC2): Cameos from Stewart Lee, Peter Serafinowicz, Matt Berry and more show how respected Kevin Eldon is. Definitely getting better but a little bit of an acquired taste. The Tim Rice and Andrew Lloyd Webber sketch was marvellous though.
Parks and Recreation (NBC/BBC4): Six episodes into the second season and I’ve finally see a funny episode that didn’t entirely depend on Ron Swanson for the jokes. And that’s after an episode that didn’t have Ron in it at all, and so was virtually unwatchable.
Plebs (ITV2): While largely The InBetweeners in Roman times, it’s surprisingly clever and this week’s “role reversal” episode where the hero and his slave swapped jobs for day and the two cousins who shag were interesting marriages of laddish humour with Roman cultural differences. If you watch one ITV2 show, this is the one to watch.
Shameless (US) (Showtime/More4): Surprisingly, not the final episode of the season, despite the apparent resolution of so many plot threads, including an unexpected act of kindness by Frank. What they do tonight should be the last thing we expect then.
Southland (TNT/Channel 4): More or more like a series of vignettes, rather than an actual drama, with our characters almost aware that their television time is drawing to an end and looking for personal closure. A great couple of cameso this week for long-time fans of the show, which I’m hoping will lead to more by the end of the season.
Strike Back (Sky 1/Cinemax): I’m finally catching up with this, which has been sitting on my Apple TV for months now. Funny to see Tim Piggott-Smith running around with a sub-machine gun, Charles Dance being an arms dealer, and
Spartacus (Starz/Sky 1): We’re on the home straight of the season, the traditional time for the show to really dig into the politics and intrigue. An almost nostalgic episode, where the gladiators return to the ‘arena’, various characters get the vengeance they want and deserve, and with the arrival of the third member of Caesar/Crassus triumvirate, Pompey (if not yet in person), it’s starting to feel more and more like a prequel to Rome as well as decent ending for one of the most surprising shows on cable TV in years.
Vegas (CBS/Sky Atlantic): Finally realised that the FBI guy is Shawn Doyle (with US accent and black hair) from Endgame. An odd little procedural about an under-age prostitute, with a somewhat surprising, feminist conclusion that once again shows what a standout Sarah Jones is. That, and the addition of a new title sequence, suggests the producers have been having a slight rethink in the show’s extended absence. Needs a little more umph, but still a good drama and a cut above the standard CBS procedural.
And in movies:
No Country For Old Men
An excellent movie with a great cast. Josh Brolin finds some money, Javier Bardem chases him with a bad haircut, Sheriff Tommy Lee Jones wanders around cluelessly. It’s quite a scary movie, in some senses, where the moral of the story is that even if you are a Vietnam vet and a hunter, there’s always someone deadlier than you out there, and beyond that is God/Fate who can kick that person to the kerb, too. It’s ending defies analysis, too, although it’s efforts to defy the standard Hollywood traditions of how plots must be resolved, particularly violent plots, is welcome.
An elite Indonesian SWAT team have to take in a crime lord who lives at the top of a building. To get to him, they have to shoot, punch, stab, kick and beat everyone they come across along the way, in what is largely a demonstration of the Indonesian martial art of pencak silat, starring some of the art’s greatest living practitioners. Not exactly the most plot-driven or character-rich movie out there, but a cracking action film, incredibly shot on a ridiculously low budget, that’ll be too violent for a lot of people. Came out at the same time as Dredd 3D, to which it bears such a similarity that it largely (unfairly) killed that movie’s box office.
Bad Boys 2
Dreadful, even by Michael Bay standards. Shame, because Bad Boys was actually quite good.
“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?