UK TV

Review: Doctor Who – 3×5 – Evolution of the Daleks

Evolution of The Daleks

Ha ha! That was a load of old bollocks, wasn’t it? Admit it, all of you who sat around saying “I’ll reserve judgement until part two”: you now wish you’d got in last week and said it was bollocks then, just so you don’t look like a bunch of “Me, too!”-ers, don’t you?

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TV reviews

Review: Doctor Who – 3×4 – Daleks in Manhattan

Daleks In Manhattan

There’s something about Helen Raynor’s writing. It’s always nicely put together, doesn’t insult your intelligence too much and has a certain sensibility about it that makes you think she’s trying to write proper drama. But it’s absolutely dull to watch. Witness the third episode of Torchwood for a similar phenomenon.

So it was with Daleks in Manhattan. With a tiny group of Daleks trying to destroy life as we know it with an insidious plan, it evoked memories of classic Who stories, such as Power of the Daleks. It certainly tried to notch up similar amounts of tension and there was the old-school move of making sure all sets, including sewers, had ultra-smooth floors for the Daleks to glide over.

But coupled with a rather spoilerish edition of the Radio Times that removed all traces of surprise from the story, all it managed to do was get yawns out of me. Yawn, yawn, yawn: that was me doing an impression of myself watching the episode.

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UK TV

Review: Doctor Who – 3×3 – Gridlock

Gridlock

Hey hey hey! That’s a bit more like it.

Sorry, that came out a bit more Krusty the Clown than I’d have liked.

But, Gridlock is definitely the first of this series’ episodes that I’ve really liked. Sure, if I were Ozymandias, king of lorries, I would be able to summon a vehicle that would be able to take me through all the plot loopholes, but it was still fun, emotional when it needed to be, and chockablock with continuity fun.

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UK TV

Review: Doctor Who – 3×2 – The Shakespeare Code

The Shakespeare Code

So I finally made my way through The Shakespeare Code after missing it on Saturday and then finding my PVR hadn’t bothered to record it (that’s Bastard the PVR for you).

Not bad, was it? Definitely in the upper echelons of new Who. But I’m struggling to find things to say about it other than the usual. You see it all felt a bit mechanical. I don’t why. I liked it. It wasn’t full of cringe-inducing awfulness. There were some very nice touches to it, and some good characterisation and dialogue for everyone involved. Some of the make-up was a bit rubbish and Freema had a few duff moments, I suppose, but that’s the upper limit of my severe criticisms of the piece. Not very severe, were they?

But there was nothing to lift it to the level of Girl in the Fireplace or The Impossible Planet. It was just good, not excellent. But for the life of me, I can’t work out what was wrong with it. Was it the hint of “Will be used in schools in future as course material” quality to it? Was it the way the baddies were stopped with just a not very good, Charmed-esque rhyme? Was it the ever so slightly wrong-looking Elizabethan backdrops? I don’t know.

How very very strange. Anyone got more of a clue than me?

Hmm, did I just open myself up to something there?

Review: Doctor Who – 3×1 – Smith and Jones

Smith and Jones

So here it is. Series three has hit us at last. Expectations are high. We’ve a new companion to meet, an established Doctor – the coolest character in the universe apparently – to touch base with again and the horrible scar tissue left over from Torchwood to deal with. That really squandered some good will.

Despite the fact Russell T Davies was writing it and it was a series premiere, I thought Smith and Jones wasn’t that bad, even with all those factors to deal with.

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