UK TV

Review: Doctor Who – 2×8 – The Impossible Planet

The Impossible Planet

Well that was rather good, wasn’t it? It’s been a long time since we’ve had a proper horror story on Who* and they really pulled out all the stops this time to give us a 12A version of Event Horizon. In fact, it was all rather unsettling, almost as unsettling as going to the BBC’s Doctor Who site right now with the sound on your computer turned on. Go on, I dare you.

Back to the plot.

The Doctor and Rose land on a really alien, far away planet that (yes, yes!) looks very much like a quarry. Actually, they land in a mining colony. Good old mining colonies. What would Doctor Who do without them? Or quarries for that matter.

It’s an old planet, with writing on the walls so archaic the TARDIS can’t translate it. The planet is in geostationary orbit round a black hole, which, as the Doctor points out to make sure everyone gets the episode title, is impossible. They also find the Ood, who are some odd slave-creatures with tentacles for mouths and who like to communicate telepathically.

So far, so creepy. But we then skulk around in the dark for 45 minutes, having the heebie-jeebies put into us, as it becomes apparent that there’s something rather scary and demonic buried below the surface of the planet – something that’s already having a rather scary effect on the Ood, as well as the inhabitants of the mining colony.

I really, really liked this one. There were some genuinely frightening moments that should hopefully still have younger viewers traumatised. Direction, set design, effects, dialogue, plotting: all were first rate. And for the first time since the show came back last year, there was some decent, atmospheric incidental music that didn’t make you cringe in despair.

Billie Piper finally relocated her acting talent this episode and turned in a fine performance. David Tennant** was on good action hero form, but it was also nice to see the Doctor getting to be all scientific for the first time in 20-odd years, de-stigmatising maths for school kids everywhere and thus bumping up the UK’s future GDP by a couple of points. The cliffhanger was a little drawn out, but the impending coming of the Beast from the pit was a fantastic ending all the same.

All in all, it seems, much like last year, that it’s not till around episode eight that the production team really manage to get their groove back. But when they do, they really can turn in some fine tele. Unlike last year, though, which had about two episodes that I would voluntarily watch again (maybe only one, actually), there’s four from this season that I’d happily watch again, so clearly they’re improving as well.

One last thing: it seems that if you want to someone to do the voice of Satan and you want it done right, you need to hire Gabriel Woolf. Last heard on Doctor Who as the voice of Sutekh in Pyramids of Mars (Sutekh/Set/Satan – you see?), a performance that scared the bejesus out the nation and Mary Whitehouse back in 1975, the delightful 73-year-old made a triumphantly scary return as the voice of the Beast. I think he needs to start voicing his own greetings card range. He’d make a fortune.

PS: Not sure what long-term Who fans are going to make of a third explanation for Satan on the show***, but frankly who cares?

Footnotes to avoid my relentless parenthetic text

*Tooth and Claw was of the horror genre but not especially horrifying, unless you find the idea of a man turning into a wolf horrifying. Which it isn’t.

David Tennant as Casanova** Sigh. Here you go.

*** Fourth if you count The Awakening

UK TV

Review: Doctor Who – 2×7 – The Idiot’s Lantern

The Idiot's Lantern

I’m supposed to be writing a white paper on the Web 2.0 conference I went to in Edinburgh last Monday. So naturally, because I am the King of Procrastination, I’m writing about Saturday’s episode of Doctor Who.

On the whole, I’d say not bad. The 50s tele stuff made me all nostalgic for a decade I never lived through, which was quite impressive. The face-sucking was done nicely.

On the other hand, the union flag/jack debate annoyed me because Rose was just plain wrong (gasp, factual inaccuracies in Doctor Who!). The plot and the denouement had a few issues that really couldn’t be fixed in post. And the general bog-standard interpretation of the 50s – great decade for wife beaters, we fought in the war for the right to be lippy, etc – began to grate. Could we avoid the moralising please?

Basically, a reasonable filler piece as has been remarked elsewhere.

The Man Without A FaceOne last thing. Writer Mark Gatiss is a long-time sci-fi fan, something you may have noticed if you watched Doctor Who Confidential after the episode. He has, for instance, played Gold in the Big Finish Sapphire and Steel audio plays. So I wonder where he got the idea for the face-sucking in The Idiot’s Lantern. I’ll give you a visual clue: here’s the baddie in the fourth Sapphire and Steel TV ‘assignment’, as they’re called. Look familiar?

He does like his homages does Gatiss.

UK TV

Review: Doctor Who – 2×5 – Rise of the Cybermen

The Cybermen are back! The Cybermen are back! Yeah. Whoop-dy do.

I was kind of looking forward to last Saturday’s episode of Doctor Who. But not much. Those publicity shots of everyone’s favourite cyborg who isn’t called Jamie, Steve or Murphy took away my enthusiasm. Star Trek had had the Borg, but these new Cybermen looked almost cuddly in comparison, even 15 years on. Nice one Beeb. The Cybermen could have been the stuff of nightmares. Instead, they’re ‘The Cybies’ in metal moon boots.

So I went into it with low expectations for the Cybermen. Instead, I was keeping my eye on the direction: Graeme Harper, famed and hallowed among classic Who directors, was telling the Cybermen what to do.

All things being equal, though, I wasn’t wholly impressed by Graeme’s first New Who, but then I don’t think he had much to work with. It was an interesting story that I suspect has just enough plot for one and a half episodes. Since they’re spreading the story over two episodes, rather than compressing it down to one, that left the first part distinctly flat and mostly set-up. Part two, however, is going to be worth waiting for since it’s going to be non-stop action.

So what was good?

  • Mickey and Ricky (will one become a Cyberman? Text “Spod” to 80110 for Mickey to get turned into a brain in a tank…);
  • Mickey finally being given a backstory
  • The new concept of the cybermen (brain in a tank)
  • TARDIS in distress and Doctor’s solution
  • Some of those Cyber-isation scenes which are guaranteed to scare the crap out of some of the kids
  • Not feeling like the entire episode was rushed

What was bad?

  • Billie Piper failing to give 110%. She’s starting to seem a bit “flaccid” next to Tennant
  • Don Warrington being given the boot after five lines
  • Another over the top villain in a wheelchair creating a race of monsters (we’ve got Davros for that)
  • Cybermen only being in it for five minutes
  • The new cyber catchphrase. I can’t even remember what it is, it was so catchy.

So not bad. Not brilliant either. I suspect part two is going to be outstanding though.

Incidentally, I know they have some strange music choices in Doctor Who Confidential, but the opening track from Clockwork Orange?

Since this is the second Who posting of the day, I’ve saved up the two Tennant images quota to give you one movie of his being interviewed by John Barrowman. Am I kind or what?

UK TV

Review: Doctor Who – 2×2 – Tooth and Claw

Tooth and Claw

Ah, that’s a bit more like it. Only a couple of slack moments and a not totally convincing bit of CGI but otherwise, ‘Tooth and Claw’ was classic Who:

  1. Good plot with a load of made-up science
  2. Good dialogue
  3. Good supporting cast
  4. Lots of running around corridors
  5. A companion running around with nothing to do but escape after being captured and ask, “What’s going on Doctor?”
  6. A scary monster
  7. A research scene where they work out how to kill the monster
  8. Lots of people dying

And they had some wu shu-ing monks and a reference to Jamie McCrimmon. Cracking. What more could you ask for from Doctor Who?

Incidentally, wasn’t David Tennant good? No more companion overshadowing the Doctor. Mr T totally wiped the floor with Ms P. Ah, just like the good old days. Talking of which, it’s the Sarah Jane and K9 episode next week. Can’t wait.

Couple of extra things. Number one, I’ve turfed up an interview in my MP3 collection of David Tennant explaining his love of Who and his Big Finish work. It was actually done while the Christopher Eccleston series was airing, amazingly enough. Email me if you’d like to hear it (note: it wasn’t me who did the interview, so you won’t get to hear my dulcet tones).

Number two: I’m in Wales at the moment. My lovely wife wanted the house to herself because she had three of her friends coming down for the weekend. So I’ve upped sticks to the mother-in-law’s and have spent the day cutting hedges, creosoting fences, mowing lawns, uncovering hedgehogs (Ahhhh!), climbing into lofts, moving heavy things and a whole lot more. So now I’m a funny pink colour from over-exposure to sunshine. Curses. Outside bad. Inside good.

But if you’ve never watched Who in Wales, it’s very entertaining. Short of having a man in a red rugby shirt signing at the bottom, there’s almost nothing more they could have done to make it clearer that this was “Made in Wales. God man! That’s cowing lush!”. They even have a little placard with an announcer at the beginning saying “Made in Wales by BBC Wales”. In Wales. That was Wales. Sorry, did I mention that it was shot in Wales?

Incidentally, I have no idea if that headline is accurate Welsh. Despite my best intentions to learn Welsh, I’ve been unable to find an Instant Welsh book, those Instant books being about the only language-learning books I get along with. So my Welsh stops somewhere south of the numbers one to six. Don’t, therefore, quote me on the headline, but I think it means “Welcome to Doctor Who”. Which is pretty meaningless of course. Oh well.

UPDATE: Further thoughts – Another ‘classic’ point was the TARDIS didn’t turn up at the right place or the right time, which is always refreshing. But all that Torchwood stuff is starting to hack me off and doesn’t make a lot of sense at the moment. Yes, we get it, there’s a spin-off called Torchwood coming.