In Canada: Fridays, 10e/7p, Space In the US: Fridays, 10/9c, Syfy In the UK: Mondays, 8pm, Syfy
The best that can probably be said about Dark Matter is that it’s better than you think it’s going to be and that it gets better over time. A show initially so generic in its grungy, generic sci-fi ambitions, we all had a hard time working out if it was Blakes 7 crossed with Andromeda or Farscape crossed with Firefly. Since then, its essential core - generic characters in a generic spaceship experiencing generic science-fiction plots in generic outer space Wild West - has hardly changed. The characters are the same, the situations are the same and the tropes are the same.
But whether it’s now finding its feet or its original comic source has now been exhausted and the producers (who also wrote it) are trying to work out what’s better for the small screen, episode three felt marginally better. A more generic version of Blakes 7’s Stardrive, it was basically a ‘ship in a bottle’ episode that allowed everyone to interact and reveal more about themselves and the main plot. While pretty much everything went as you’d have expected it, there were a few surprise twists and despite the ‘gritty’ setting, it managed to be amiable and fun enough to maintain attention throughout.
More importantly, the very end of the episode suggests potentially more interesting territory is about to be explored: the crew may have lost their memories but (spoiler alert) they may never have had them and may only be clones of the real crew.
All the same, the show’s put enough of its cards on the table now that we can see there’s a peak quality threshold it’s never going to exceed. Dark Matter's generic space opera at best and to be fair to the producers, that’s all they’re aiming for. I’m not sure if I’m going to stick with it, but unlike its equally generic, Friday-night schedule buddy Killjoys, it does at least pass the time nicely and without many dull moments, there are some decent actors in the cast and it’s not stupid. And by both Syfy and sci-fi standards, that's pretty good.
Barrometer rating: 3 Rob’s prediction: Could well make it to a second season, but I suspect I’ll have given up before then
It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.
The usual "TMINE recommends" page features links to reviews of all the shows I've ever recommended, and there's also the Reviews A-Z, for when you want to check more or less anything I've reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV - they’ll even email you a weekly schedule.
Last week, I had the bright idea to shift ‘What have you been watching?’ to Mondays, as several Sunday shows were finishing and Thursdays were starting to fill up with new shows.
Stupid idea. Very stupid idea. A quick glance through the schedules revealed that I should leave things as they were, as as well as replacements for the existing Sunday shows and a couple of returning shows, there was a whole bunch of new Friday shows to deal with, too.
Thankfully, I’ve just about made it through this week’s viewing selection, with only Sunday’s Humans to work my way through still. Elsewhere, I’ve reviewed the first episodes (and sometimes more) of:
That means that after the jump, I’ll be looking at the latest episodes of the usual regulars: Halt and Catch Fire, Hannibal, Humans, Stitchers, Tyrant, Westside and The Whispers. We’ve also got the return of The Last Ship,Suits and True Detective to consider, as well as the second episodes of Clipped and Proof. Some of these are getting the chop. Can you guess which, Tigers?
But first, some theatre!
Rules For Living (National Theatre) A dark comedy starring that Stephen Mangan (Episodes, Dirk Gently, Green Wing), Miles Jupp (Rev, Neville’s Island), Claudie Blakley, Maggie Service and Deborah Findlay from off the tele, as a family getting together for Christmas. Jupp and Mangan are brothers, Findlay the mum, Service Jupp’s actress girlfriend and Blakley Mangan’s wife whom Jupp has pined for ever since they were kids.
The play’s focus, oddly enough, is cognitive behavioural therapy and the idea that we acquire ‘rules for living’ over time that while initially helpful, can eventually lead us to fixed behaviours that only make us unhappy. Only by learning what our rules are and breaking out of them can we become happy.
The play’s conceit is to put each character’s rule on a scoreboard at each end of the stage, so that the audience knows the rule, when the character has to obey it and what the exceptions to the rule might be. At the end, everyone’s score gets tallied up and the winner ‘rewarded’.
Rules For Living is both very funny and uncomfortable; it’s also uneven and occasionally forced, with elements of plausibility being stretched very far at some points. But it’s still very enjoyable, occasionally saddening, occasionally raw and by the end of it, you’ll be wondering what your own rules might be.
Another quirk of the the play is that it’s staged ‘in traverse’ - that is, the play is in the middle of the theatre almost like a pit, with the audience mostly on either side of the stage.
We were in the front row, which meant that we were as little as a couple of feet away from the cast (and some nice looking cake) at some points. However, if you want to avoid (spoiler alert) being hit by food during the food fight I’d recommend sitting a couple of rows further back or wearing something that can be washed clean easily.
History is, of course, usually just that – ‘his story’. ‘Her story’ – women’s stories – tend to get overlooked.
Thankfully, great efforts are being made to redress the balance, to tell the forgotten stories of women throughout the world and throughout the centuries, to show what contributions they’ve made to society.
Unfortunately, much as it would probably like to be, The Astronaut Wives Club isn’t one of those efforts. The series is set during the early 1960s, when 'women’s liberation’ was just beginning and the US and the USSR were racing each other to be the first to put a living creature then a man then a woman in space, before finally they both aimed for the ultimate prize of putting a man on the moon.
The US efforts began in earnest with the Mercury Seven, a group of seven astronauts who would fly the Mercury spacecraft into orbit, but only one of whom would be the first American into space. Each of these men was married and as an act of anti-Soviet propaganda and to get the American people on board with the 'space race’, efforts were made to make these wives a form of American royalty, right down to a Time magazine journalist reporting on their every move – provided he only showed them and their husbands in a good, all-American light, of course.
Needless to say, beneath the surfaces of these supposedly happy, ordinary American wives, their happy, extraordinary American husbands and their marriages, a lot was going on, including infidelity and divorce, all of which these women and Time had to hide from sight.
Now, without these women doing what they did, these men might never have been able to have been astronauts – or at least be astronauts and have a family, normal home-life, etc. And many were accomplished in their own rights. So it’s good that their stories are told.
And they have been – in Lily Koppel’s book, The Astronaut Wives Club: A True Story. And to be honest, that’s where they should have been left, because a 10-part event television series they do not make – or if they do, the wrong people are telling them.
The Astronaut Wives Club is dull. Dull, dull, dull, dull, dull. It shouldn’t be. But it is. It’s got a great cast: Yvonne Strahovski (Chuck, 24, Dexter), Odette Annable (House, Banshee, Breaking In, Rush), Erin Cummings (Spartacus, Detroit 1-8-7), Joanna Garcia (Privileged, Better With You, Animal Practice), Desmond Harrington (Dexter), Evan Handler (Sex and the City, Californication), Bret Harrison (The Loop, Reaper) and more. It’s got space rockets, some of which explode. It’s got pool parties and heaps of 60s style. It also has real, well known events to recreate, such as famous Time magazine photos.
But it’s dull. Dull, dull, dull, dull, dull.
The problem is that much of the first episode isn’t really about the women. It’s about women with women, which it explores in entirely standard and dull, dull, dull, dull, dull ways. So on the one hand, the wives are all competitive and want their husband to be the first man in space. But since all they can do is compete verbally and can’t actually do anything to help their husband to be the first man in space, they simply snipe at one another and pick holes in each other’s accomplishments (“An unmarried woman travelling abroad. That must have been… an adventure”).
Then they realise that they each have secrets that could be revealed and that anything bad looks bad for their husbands, so they club together for solidarity, making cakes and so on. Annable’s Trudy Cooper is getting divorced and hates cheating men so she ends up manipulating events so that Dominique McElligott’s Louise Shepard can spot Alan Shepard cheating.
Except there’s also the fact they’re getting so much fame and celebrity that perhaps if they bent the rules, they might be the one who ends up a bit more famous than the rest, which is what Strahovski ends up doing, such as when she wears a dress that isn’t pastel-coloured in the photo above. Except maybe she’ll need the help of the others later on…
And so on. And I’m sure there’ll be more of that ‘women helping each other through adversity’ later, too, as well known historical tragedies will take place in future episodes.
But you’d be hard pressed to know what any of the women were actually like, what their own accomplishments were and so on, beyond the occasional throw-away line. In fact, you’ll end up knowing a whole lot more about all the members of the Mercury Seven than you did before, which is almost exactly the opposite of what The Astronaut Wives Club was trying to do.
So like ABC’s other 60s period piece, Pan-Am, before it, The Astronaut Wives Club is a pretty little bauble of a piece, full of decent actors and actresses and lovely attention to period detail, but with a plot that’ll send you to sleep despite all the excitement of its setting. Avoid.
Incidentally, it’s interesting don’t you think that despite supposedly being the most female-friendly of all the networks, ABC’s current Thursday night offering is this, followed by Mistresses. Not really demonstrating the full gamut of women’s experiences independent of men, is it?
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.