Sorry, Australia. And indeed fans of Australian TV. For ages, I've been promising to review all manner of new and exciting - and, it turns out, not so exciting - Australian TV shows. However, thanks to a deluge of US and Internet TV, I've being failing hopelessly.
This weekend, however, I made a massive effort to play catch up with all of them. I've not been 100% successful, since I've not yet started SBS's Deep Water, but since that's a four-part mini-series that's already finished, I might as well watch all the episodes before letting you know what I think of it prior to its eventual BBC Four airing.
After the jump and to save myself a whole lot of time, mini-reviews of the first few episodes of all the other shows. Just to give you a tantalising preview of what I'm going to say, though:
In the US: Sundays, 10pm ET/PT, Showtime In the UK: Mondays, Amazon Prime
Although the theory of 'the auteur' is eminently quibblable, it's fair to say that you can spot the work of Cameron Crowe a mile off. Whether it's Jerry Maguire, Almost Famous, Elizabethtown or We Bought A Zoo, his work is usually characterised by an indie sensibility; a central male-female, potentially romantic relationship; quirky dialogue; a focus on music; and a lot of heart but not much brain. You won't get very far through Roadies, Showtime's new series about those unsung heroes and heroines of the live music industry, before proclaiming it as possibly the most Cameron Crowish piece of work that Cameron Crowe has ever done.
Crowe's never been one for putting plot above character, so it's a little hard to say what Roadies is actually about, other than that it's a show about roadies - and the first episode is an introduction to all of them. The ostensible focus of the show are Luke Wilson (Idiocracy, The Royal Tenenbaums, Legally Blonde, Enlightened), the tour manager with a failed marriage and who now sleeps with women literally half his age, and Carla Gugino (Watchmen, Threshold, Wayward Pines), the production manager with a failing marriage and who doesn't sleep with anyone. They have such The Thin Man chemistry together and obvious devotion to one another, everyone who meets them thinks they're married - except they're not!
However, Crowe seems more interested in Imogen Poots (28 Weeks Later), the young roadie who's heading off to film school because she's stopping believing in the music. If only she could recover her faith. Most of the first episode follows her around as she slowly rediscovers that faith thanks to all her fellow roadies, who are all a motley bunch of amiable characters: Ron White, the old hand who may have murdered two people but all the bands like; Keisha Castle-Hughes (Game of Thrones, The Almighty Johnsons, Whale Rider), the lesbian; and Peter Cambor (The Wedding Band), the guy from New Jersey who worked with Elvis Costellofor a while and got stuck with his accent. There's also Machine Gun Kelly, a roadie for another band with a strange relationship with Poots, which gets explained at the end of the first episode (spoilers, sweetie).
Crowe's one real concession to plot comes from Rafe Spall (The Shadow Line, I Give It A Year), the semi-menacing English finance guy who used to work in sports and 'real estate' so doesn't really get music, but who's been sent over to make some budget cuts. Who's for the chop? Probably not Poots, judging by the other age-inappropriate, Crowe-typical relationship that gets thrown into the mix. Probably no one, in fact, as Spall gradually learns that it's love and people, not numbers, that keeps everything working backstage and you remove a piece of that bizarrely intricate puzzle at your own risk.
That first episode is in many ways lovely and heart-felt, albeit a bit saccarine and divorced from reality, with obvious love for music and people oozing from every scene - even for Spall and the creepy stalker girl who wants to do odd things with microphones (Jacqueline Byers). The trouble with auteurship, though, is that unless you're Aaron Sorkin and prepared to consume superhuman amounts of cocaine to write a classic script every couple of weeks for umpteen years, it's not something that can transfer over easily from film to TV.
The result is that even though Crowe directs the first two episodes, he hands over writing duties to others from episode two. Winnie Holzman (My So-Called Life) is the first to pick up the slack, but although she's good in her own right, she's not up to being Cameron Crowe. The result is faux-Crowe and a little bit painful to watch without his heart-on-a-sleeve gushing. It doesn't help that Wilson pretty much checks out after the first episode, even if everyone else is working hard, particularly Spall whose role switches from menacing to comedic from the second episode. To be fair again, Wilson does give a near-perfect performance as someone who's coming down after smoking heinous amounts of weed, so there's that one small concession to reality, at least.
If you like Cameron Crowe, it's worth watching the first episode at least, as long as you consider it as a one-off short movie. Watching any more than that would be intolerable. You can watch a trailer below, and if you're in the US, you can watch the first episode for free here.
It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.
The usual "TMINE recommends" page features links to reviews of all the shows I've ever recommended, and there's also the Reviews A-Z, for when you want to check more or less anything I've reviewed ever.
State of the country, politics, the world, et al right now:
Sob. Oh well, let's talk about tele to try to cheer ourselves up. Last week, I reviewed the first few episodes of:
However, a few new shows have also stuck their heads up the parapets this week, so in the next few days I'm hoping to review Greenleaf (US: OWN), Queen of the South (US: USA) and maybe The Night Of (US: HBO) - it's only a mini-series.
Obviously, this was supposed to go up over the weekend, but owing to post-referendum blues and a general desire to boxset a certain French TV show, that didn't happen. However, I haven't had time to watch anything more than Game of Thrones from last night's usual bumper crop of shows. So after the jump, I'll be talking about that, the latest episodes of more or less the only shows that don't air on a Sunday - BrainDead, Cleverman and Outcast - last Sunday's Preacher, Secret City, SiliconValley, Still The King and Westside, as well as the return of Canada's good show, 19-2, and the whole of season 1 of Le Bureau Des Légendes (The Bureau). Some are for a-chopping, though, and some are on a lifeline.
(For those of you wondering, I couldn't be bothered to watch episode 3 of Animal Kingdom or Uncle Buck, after their uninspiring performances last week. Soz)
But first, a movie!
Zoolander 2 (2016) (iTunes) Sequel to everyone's favourite Ben Stiller movie, although it only became such once it came out on DVD, since it tanked a bit at the box office. It sees Stiller, Own Wilson, Will Ferrell, et al, returning as their original characters, who have all gone their separate ways after Derek's school collapsed just a couple of days after opening. Then incomprehensible fashion designer Alexanya Atoz (Kristen Wiig) invites them to star in her new fashion show in Rome, and they're soon imbroiled in a Da Vinci Code parody that sees the likes of Justin Bieber being killed off to protect a terrible, terrible secret, with fashion policewoman Penelope Cruz their ally in solving the crime.
I was a bit wary of this, since it got bad reviews, and the movie itself is really not much more than that Da Vinci Code twist on the original Zoolander structure. However, surprisingly, it's actually quite gigglesome, with plenty of laughable moments, huge numbers of odd cameos (Kiefer Sutherland, Susan Sarandon, Fred Armisen, Anna Wintour et al), references to everything from Dune to Star Wars and the general surrealism that pervaded the original still managing to percolate through.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.