Tag Archive | Star Trek

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What have you been watching? Including Vinyl, Wanted and Vikings

Posted on February 20, 2016 | comments | Bookmark and Share

It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.

The usual "TMINE recommends" page features links to reviews of all the shows I've ever recommended, and there's also the Reviews A-Z, for when you want to check more or less anything I've reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV - they’ll even email you a weekly schedule.

Apologies for the silence this week - you can blame Windows 8 for that. It wasn't even my Windows 8 (like I'd have it in the house), but the Windows 8 of somewhere at which I do volunteer work. My advice? Don't try to fix Windows 8 - just wipe it and start again. Which is what I eventually did.

Anyway, that meant I couldn't write about tele for several days, but don't worry - it didn't mean I couldn't watch tele. Elsewhere, of course, I've reviewed the first episodes of:

And after the jump, I'll be dealing with the regulars: American Crime, Arrow, Billions, DC's Legends of Tomorrow, The Doctor Blake Mysteries, The Flash, Limitless, Lucifer, The Magicians, Man Seeking Woman, Marvel's Agent Carter, Okkupert (Occupied), Second Chance, The Shannara Chronicles, Stan Lee's Lucky Man and The X-Files. At least one of those gets the chop this week. Can you guess, which? This week also saw the return of Vikings, so I'll be having a go at that, too. 

Out yesterday was Netflix's Love, and I'll try to give that a watch over the next few day; I'll probably be playing catch-up with BBC4's showing of Iceland's Trapped, too.

But there was a couple of new shows out in the past week or so that although Windows 8 stopped me from reviewing them, I did manage to get a chance to watch them. Largely while I was fixing Windows 8.

Vinyl (US: HBO; UK: Sky Atlantic)
Martin Scorsese and Mick Jagger co-created this story of the 70s music business, in which Bobby Carnavale (Cupid, Boardwalk Empire, Nurse Jackie) plays the boss of a struggling company trying to work out what's hip and cool, as punk et al arrive on the scene. Scorsese directs, there's a soundtrack including Slade and Abba, there's a strong supporting cast, including Ian Hart, Paul Ben-Victor, Juno Temple, Olivia Wilde, Ray Romano and Birgitte Hjort Sørensen. What could go wrong? Well, lots apparently. Maybe it's just because it's about the music business, in which I have minimal interest. Maybe it's because of the sexism, racism, et al of the period. Maybe it's some of the dodgy English accents floating around. Whatever it was, despite its having a certain degree of authenticity, I barely made it to the end of the extremely long pilot episode. Not for me.

Wanted (Australia: Seven)
Continuing her majestic stranglehold on all of Seven's drama output, Rebecca Gibney stars in this odd-couple-on-the-run drama that she also created. Gibney plays a rebellious, free-spirited but broke checkout woman; Geraldine Hakewill is an uptight accountant with a nerdy boyfriend and a criminal secret. They're both waiting for a bus when a car chase ends in front of them and they witness a murder. Unfortunately for them, crooked cops are involved in the action and before you know, there are more bodies, everyone thinks they're responsible and they're on the run, while trying to clear their name and avoid getting caught by bad cop Nicholas Bell or good cop Stephen Peacocke. It's mildly diverting stuff, but everything goes pretty much how you expect, the jokes are weak, and neither Gibney nor Hakewill make you want to hang out with either of them, let alone go on the run with them.

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Third-episode verdict: Lucifer (US: Fox; UK: Amazon Instant Video)

Posted on February 11, 2016 | comments | Bookmark and Share

BarrometerLucifer.jpgA Barrometer rating of 3

In the US: Mondays, 9/8c, Fox
In the UK: Tuesdays, Amazon Instant Video

Since the 80s, there's been a move on US TV away from shows about lone heroes towards more ensemble pieces with a core cast of characters. Whether it's to provide variety, to support the number of plots of a long-running season, to give the main actor respite from arduous filming duties, or to hedge bets in case the lead isn't that popular, the trend is clear. When you look at remakes, it becomes even more obvious with formerly hero-centric shows taking on the trappings of ensemble pieces, whether it's Kolchak: The Night Stalker and Night Stalker, Star Trek and Star Trek: The Next Generation or Hawaii Five-O and Hawaii Five-0.

Normally this is by design, so the trouble comes when you forget what kind of show you're making - is it a lone hero show or an ensemble show? Try to make both at the same time and you end up with something that's not good at either.

Lucifer is a case in point. As the name suggests, it's a show about the Devil himself. Adapted from the DC/Vertigo comic, it sees Miranda's Tom Ellis as the bored fallen angel Lucifer Morningstar taking a vacation from Hell in Los Angeles, where he has loads of fun running a night club, shagging and generally tempting mortals. One day, he runs into a police detective (Lauren German) when one of his protégés is murdered, and he starts trying to solve crimes with her so he can keep up his former day job of punishing evil-doers.

It's a somewhat silly idea but as I pointed out in my review of the first episode, it all works largely because of Ellis who's clearly having the time of his life as a decidedly English supporting character from the Old and New Testaments ("I'll rip his bollocks off then stamp on them one at a time"). He alternates between luxuriating in raining down diabolical torture and pain upon anyone who crosses him and camping up to the point you think he's impersonating Kenneth Williams. It's a marvellously engaging performance.

The trouble is that although the show is really all about Lucifer, the comic is more of an ensemble piece. And Lucifer takes on trappings of Lucifer to become partly an ensemble show as well, spending time with German, her young daughter, her ex- (Southland/True Blood/Arrow's Kevin Alejandro), Lucifer's fellow devil Maze (Lesley-Ann Brandt from Spartacus and The Librarians) and Lucifer's therapist/shag partner Rachael Harris (The Hangover, Suits, Surviving Jack). Which would be fine if any of them were in any way interesting or at least having as much fun as Ellis.

Perhaps if the show could also decide not to throw all its moments of characterisation at Lucifer but give each a few scraps from the table, it might be possible to care about them or even like them a little. But it doesn't. The result is you have Ellis, bright and shiny in centre-stage, surrounded by pale shadows who take away from his screen time with their tedious concerns, but don't really add anything except when they're acting as sounding boards and ways to expand on Lucifer's character.

The plots are also a little timid and repetitive. Murder followed by investigation in which Lucifer charms people and gets them to confess their deepest desires, all while German somberly and without any trace of real animation uses various synonyms of 'back off' to stop Lucifer from muscling in on her investigations, which Lucifer then studiously ignores. Even when Lucifer gets up to potentially exciting acts of sin, it's Fox at its tamest: a 'devil's threesome' and a foursome, none of which is ever shown, just the monring after when everyone wakes up with their clothes and underwear still intact.

The show works best when Ellis gets to enjoy himself and the writers provide lines and situations for him to really chow down on the scenery. It also becomes 100% more interesting whenever it's dealing with the supernatural. Interactions with fellow angel DB Woodside, sent by God to convince Lucifer to resume normal duties, give someone for Ellis to really bounce off, while Lucifer's acts of devilish punishment give the show a welcome edge of iron.

But for Lucifer to really work, it needs to decide whether it's an ensemble show or a lone hero show: either drop some of the additional characters to really focus on Lucifer or give them something to do that makes them more than mere stock characters. 

Barrometer rating: 3
Would it be better with a female lead? No. Different, but not better
TMINE's prediction: Could get a second season but a bit touch and go at the moment and needs to strengthen itself up to avoid a trip to ratings Hell

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News: Mozart in the Jungle, Endeavour, The Trip renewed; White Queen sequel; Bryan Fuller to show run Star Trek; + more

Posted on February 10, 2016 | Post a comment | Bookmark and Share

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