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Preview: Impastor 1x1 (US: TV Land)

Posted on July 2, 2015 | comments | Bookmark and Share

Impastor

In the US: Wednesdays, 10.30/9.30c, TV Land
In the UK: Not yet acquired

There’s a long tradition of comedy shows about men and women of the cloth. Think All Gas and Gaiters, Oh, Brother!, Oh, Father!, Troubles and Strife, Rev, Father Ted, The Vicar of Dibley. Ironic, isn’t it, though – all those shows are from this side of the Atlantic, rather than the very much more religious US. You could probably have a long think and come up with some US comedy shows about reverends, but you’d be hard pushed.

Maybe it’s too serious a subject for the US to tackle – at least, head on. But when they can come at it at an angle, maybe not.

TV Land – the comedy network for people who like things the way they used to be when they were young – is currently trying to bring a relatively younger audience, and given it was probably the last US network to have a go at a religious sitcom with The Soul Man, it seems fitting that they’re giving it another go with Impastor. The Soul Man was, of course, about an R&B singer who becomes a preacher. Whether it was ’too black’ for TV Land’s audience, only TV Land can say, but Impastor is certainly a whole lot whiter. But that doesn’t mean TV Land is forsaking diversity. Oh no.

Michael Rosenbaum (Smallville, Breaking In) is gambling addict and small-time criminal Buddy. When all seems lost and even his girlfriend Aimee Garcia (Dexter) has deserted him, he decides to take his own life by jumping off a bridge. Fortunately, at the last moment, a vicar on the way to his new job intercedes. Unfortunately for the vicar, he plummets to his own doom instead and Buddy seizes the opportunity to take his place… and perhaps his possessions, money, etc. Except Buddy turns out to have an accidental talent for ‘pastoring’.

If only he didn’t have to pretend to be gay, too.

Here’s a trailer and if you’re quick, below it is the entire episode:

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Preview: Supergirl 1x1 (US: CBS)

Posted on May 22, 2015 | Post a comment | Bookmark and Share

Supergirl costume

In the US: Mondays, 8/7c, CBS. Starts November
In the UK: Not yet acquired

Is there truly no such thing as bad publicity? That is what George Schweitzer would apparently argue, based on how many hits the trailer for Supergirl got - 10 million.

Never mind that a lot of those who watched the trailer thought that it was nothing more than the Saturday Night Live spoof Black Widow sketch actually turned into a real TV show, with horrific cliches oozing from every pore. They watched it and for Schweitzer that’s all that counts. Presumably that’s what he’s paid to do and whether people subsequently tune in and enjoy the show is the purview of someone else.

But can a trailer truly convey what a show is like? Or by judicious editing can you make it seem like a completely different show? Even if that show is terrible and your show is actually quite good?

Someone needs to find out. That someone is me. Brace yourself - I’m reviewing the pilot after the jump.

But in case you haven’t watched it, here’s that trailer.

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Third-episode verdict: Constantine (US: NBC; UK: Amazon Prime)

Posted on November 10, 2014 | comments | Bookmark and Share

BarrometerConstantine.jpgA Barrometer rating of 3

In the US: Fridays, 10/9c, NBC
In the UK: Amazon Prime

Three episodes into Constantine, the latest attempt to adapt DC's Vertigo horror comic Hellblazer in another medium, and we're seeing marked signs of improvement after a very variable first couple of episodes. The pilot (which was modified slightly for the transmitted first episode to get rid of Lucy Griffiths) wasn't bad, but it wasn't great: a PG-13 bit of horror, with a variably-accented, atypically moral John Constantine, that was about on a par with the average first season episode of SupernaturalMatt Ryan's Constantine is a watered down version of the comic book character: a non-smoking, generic working class Brit (accent says lots of places in the North, driving licence says Liverpool, slang says London), a man constantly acting like an unnuanced supernatural tough guy, rather than a mercurial amoral, trickster, prepared to manipulate and betray in the interest of the bigger picture (or himself).

Things didn't get any better with episode two. In fact, they got worse, as it was a truly dreadful, virtually unwatchable affair: a sub-Grimm bit of dullness, with Constantine chasing generic monsters in a mysteriously Welsh-obsessed Pennsylvania mining town. Bringing in anti-Romani racism just for larks, it was about stupid and soporific as it's possible for a show about the paranormal to get, without its writers having been trepanned first - and that's despite the show bringing in Angélica Celaya as a considerably more interesting replacement for Griffiths. 

But the third episode has given me hope. While the 'threat of the week' was the somewhat generic 'cursed LP', the general furniture of the story was a whole lot better. The script by BSG/Smallville veteran Mark Verheiden drew a lot on the comic to flesh out Constantine, bringing in his punk band background (a bit of time travel maths or a longevity spell might be needed to square that) and favoured adversary/supernatural bystander Papa Midnite and his Ace of Winchesters. There was humour and general bad behaviour, too, and the show should get Brownie points for both an excellent use of 'Anarchy in the UK' and a couple of Doctor Who references that included a dimensionally transcendental house and the Constantine equivalent of psychic paper.

Constantine is still a tame affair that uses gore as a substitute for true horror. It relies on the iconography of the comic to give us the TV version of Constantine, Zed, Chas and other characters, but without giving us any real meat to their bones or signs that these are real people with real pasts, rather than Very Important Things That Had Happened To Them. And its plot are generic at best, unwatchable at worst.

But the show's definitely getting there now. It's drawing on some of the comic's best bits to give us some things we haven't really seen on TV before. Constantine is doing proper Hellblazer-esque magic. And we're getting a proper roster of characters built up.

If it's to survive in the ratings and be something more than Supernatural meets Grimm, the show needs to put on its big boy pants and truly embrace the darkness and Hellblazer's combination of heresy, politics and the personal. That's assuming its got any chance of attracting back anyone who watched its offensively poor second episode, which is unlikely. And, of course, one good episode doesn't mean everything that follows is going to be golden.

However, after the second episode, I was fairly certain I wasn't going to be watching Constantine after the third, so it might still be in with a chance.

Barrometer rating: 3
Rob's prediction: If it makes it to a season, I'll be surprised, two seasons and I'll be amazed, but some piece of dark magic might still save it

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