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What happens when an unstoppable force hits an immovable object?
What's the answer? Into the Badlands. How so? Because it's an actual, real-world test of that paradox. It takes the unstoppable force that is the Hong Kong martial arts movie and confronts it with the immobable object of an AMC TV series.
Despite the likes of Indonesia's The Raid coming along to challenge them, Hong Kong martial arts movies are, of course, the fastest genre in the world. If you have any interest in martial movies, you watch Hong Kong martial arts to see the best - and fastest - martial artists the silver screen has to offer. I'm most partial to classic Jet Li myself, but Donnie Yen, Sammo Hung, Jackie Chan et al have all formed part of my viewing habits since Jonathan Ross's Son of The Incredibly Strange Film Show revealed their delights to me back in the 80s.
And the slowest genre in the world? AMC TV series. The network practically fetishises slowness:
There must be a guy at AMC that stops you after one sentence of your pitch and says, "whoa whoa, save some of this for season two!"— Dan Harmon (@danharmon) April 4, 2011
Even its fastest shows - Breaking Bad, The Walking Dead, Better Call Saul - have a glacial chill to them, and that's before we consider the almost geological time scales over which the likes of Mad Men, Hell on Wheels and Halt and Catch Fire operate.
And Into The Badlands is a deliberate attempt to bring these two genres together. Rather bizarrely the brainchild of Smallville creators Alfred Gough and Miles Millar, it stars Daniel Wu, an American actor but the star of dozens of Hong Kong martial arts movies.
The show is set in a post-apocalyptic America. This isn't that surprising: martial arts date from before guns and are made largely redundant by the presence of guns, so a martial arts movie usually needs to have a reason for there to not be any guns - something somewhat problematic in modern-day and even historic America, but not so hard in a post-apocalyptic, post-technological society. Unles you turn the guns into a virtue, of course.
As with most other post-apocalyptic societies, everything's become weirdly patriarchal and feudal in Into The Badlands, with seven 'barons' now running America, following a series of wars. Each has made their territory safe and stopped the wars by getting rid of guns. In return, everyone either learns how to be a 'Clipper' - martial arts soldier cops - assuming they're male or goes to work in the fields picking poppies or getting married to the Baron.
Wu plays one such Clipper, who patrols the territories, enforcing the justice of his increasingly unstable, increasingly bewived Baron (Marton Csokas from Falcón, Rogue, The Equalizer, The Bourne Supremacy). One day, he comes across a peaceful boy sought after by another Baron, 'The Widow', only to discover that he gets superhero killing powers at odd moments.
What will he do? WIll he take the boy into the lawless 'Badlands' between Barons' terrorities, looking for the boy's mother and answers to his own past? And will he do it before the Sun expands into a Red Giant and dies (aka the next AMC Upfronts)?