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Review: The Returned 1x1-1x2 (US: A&E/UK: Netflix)

Posted on March 17, 2015 | comments | Bookmark and Share

Victor in The Returned

In the US: Mondays, 10/9c, A&E
In the UK: Available on Netflix. New episode every Tuesday

There are remakes. Then there are unnecessary remakes. And then there’s The Returned.

First, there was a French movie called Les Revenants. That saw a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small French town, who have all moved on.

Then there was a Canal+ TV series called Les Revenants based on the movie, which aired on Channel 4 in the UK and on Sundance in the US; the second season of that is going to air in France later this year. That saw a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small French town, who have all moved on.

Then there was a book called The Returned. That saw a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small US town, who have all moved on.

Then there was an ABC TV series in the US called Resurrection based on the movie, which aired on Alibi in the UK; the second season of that is currently airing. That saw a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small US town, who have all moved on.

And now we have a US remake of the Les Revenants TV series called The Returned. This sees a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small US town, who have all moved on. Worse, still it's practically identical to Les Revenants in almost every way - to the extent that alleged screenwriter and showrunner Carlton Cuse (Lost, The Bates Motel) and every other writer involved should probably relinquish their credits and give them over to the translators who translated the scripts into English for them.

You have to ask why this is happening. Sure, Sundance is a bit niche, but with Resurrection airing on ABC, it’s not like the concept’s not already getting a pretty good airing as it is. Yet here it is, not as good and not as creepy as Les Revenants, but filling our screens all the same on A&E, the network whose tag line is “Be original”. Oh sweet, sweet irony.

Still, let’s evaluate The Returned on its own terms, rather than merely wondering why it exists. After all, despite the fact we’re into episode two and at least three dead people have already turned up, no one in The Returned is wondering why they exist, so clearly a lack of questioning is all the rage.

As a show, it’s all right, but it’s supernaturally generic. We have a decent cast, some of whom look virtually identical to their French counterparts, including Kevin Alejandro (Southland), Michelle Forbes (BSG, Homicide, ST:TNG), Mark Pellegrino (Lost, The Tomorrow People) and Jeremy Sisto (Kidnapped, Suburgatory), with support from just about any reliable Canadian actor you care to mention (including Aaron Douglas from BSG, and Roger Cross from Arrow, 24, and Continuum). The various mysteries and secrets of the characters - assuming you haven’t already learnt them watching Les Revenants - are intriguing, and their various dilemmas are relatable. Well, apart from Pellegrino’s, cos he’s a git in this. If you watch the trailer at the end of the first episode, you’ll know that zombie-esque action is on the horizon, which is at least moderately more interesting than anything Resurrection was prepared to throw our way.

All the same, the characters are all colossally annoying in their inability to even call a doctor to ask WTF is going on. No one mentions what’s happened to anyone else, meaning that no one yet knows that they’re not alone in having a returned loved on. No one’s even mentioned zombies, except one of the zombies themselves, so that doesn’t count. Michelle Forbes hasn’t even had a line yet.

But briefly just to make comparisons with the original again, there’s none of Les Revenants' unusual qualities. No odd silences, no quiet pieces of direction, no genuinely creepy kid, no lovely Mogwai soundtrack. The Returned is like virtually everything else on A&E: decent, solid, slowly paced and with nothing about it whatsoever that could be described as revolutionary. It’s comfortable viewing for an uncomfortable subject.

And perhaps that’s the argument for this otherwise unnecessary remake: it’s more watchable for being less unusual, meaning that more people are likely to watch it all the way through to the end.

So should you watch it? Well, look at the picture above of Victor in The Returned. Now look at the picture below featuring Victor from Les Revenants.

Les Revenants

Would you rather watch a show featuring top Victor or bottom Victor? Once you know the answer to that, you’ll know which version is for you. And here are corresponding trailers to help you, too.

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What have you been watching? Including Gone Girl, Suits, Spiral, The Blacklist and The Americans

Posted on February 2, 2015 | comments | Bookmark and Share

It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.

The usual "TMINE recommends" page features links to reviews of all the shows I've ever recommended, and there's also the Reviews A-Z, for when you want to check more or less anything I've reviewed ever. And if you want to know when any of these shows are on in your area, there's Locate TV - they’ll even email you a weekly schedule.

It's February. How did that happen? Anyway, what with the Superbowl and the fact that no one launches any new shows at the end of January, it's been a relatively quiet week in terms of new shows, with only Sky/Pivot bucking the trend to give us Fortitude. On the other hand, a few old hands have returned with new seasons...

After the break then, all the regulars, including 12 Monkeys, 19-2, The Americans, Arrow, Banshee, Constantine, Elementary, The Flash, Gotham, Ground Floor, Hindsight, Man Seeking Woman, Spiral (Engrenages), State of Affairs, and Suits. The observant will notice that neither Cougar Town nor Marvel's Agent Carter are on that list: that's because I'm watching them with my wife and she only watches TV - get this - when she's in the mood. It's just inconceivable, isn't it? I also tried to watch Backstrom's second episode but failed, as it was even less engrossing than the first episode.

But that relative lull means I've been able to squeeze in a movie this week.

Gone Girl (2014) (iTunes, Amazon Prime)
Ben Affleck and Rosamund Pike meet, fall in love and get married. Then one day, Affleck returns home to find his wife gone in mysterious circumstances. But it's not long before the finger starts pointing at him. Novelist Gillian Flynn adapted her own bestseller for this slightly meandering, variable piece, shot with the usual visual precision by David Fincher. By turns disturbing, upsetting and even comedically ridiculous, the film veers close to misogyny, but the specificity of Affleck and Pike's characters means they can't be generalised to All Men and All Women or even to reality itself, such are some of the ludicrous twists. It's at its best when analysing the nature of media coverage of criminal cases and allowing the Trent Reznor/Atticus Ross soundtrack to dominate, at its worst when trying to convince the audience that This Could Happen.

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What have you been watching? Including Strange Empire, Coverband, Electra, The Flash and Doctor Who

Posted on October 20, 2014 | comments | Bookmark and Share

It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.

The usual "TMINE recommends" page features links to reviews of all the shows I've ever recommended, and there's also the Reviews A-Z, for when you want to check more or less anything I've reviewed ever. And if you want to know when any of these shows are on in your area, there's Locate TV - they’ll even email you a weekly schedule.

You may have noticed I was playing epic catch-up on Saturday, in contravention of my normal rule of weekend blogging. So on top of Friday’s all out efforts and a couple of extra ones today, I’ve reviewed the following new shows, some of which have already been acquired for Blighty’s viewing pleasure:

Yay, me. No back log now. Time to have regular weekends again. Phew.

In fact, so ahead of myself am I that I’ll point out that ages ago, I reviewed NBC’s Constantine, which starts on Friday. Okay, it’s changed a bit since the pilot but you’ll get the general point.

But I’ve not stopped there. Oh no. Because I’ve also watched a New Zealand and a Canadian show just for luck. Okay, I was a bit behind on all of them, so I’ve only seen the first episode of each, but honestly, that felt like enough.

Strange Empire (Canada: CBC)
Set in the 1860s on the Alberta-Montana border, this sees three women (Cara Gee, Tattiawna Jones and Melissa Farman from Lost) band together for survival after virtually all the men in their town are murdered and those remaining behind battle for power. Very nicely made and already being described as the saviour of CBC, it's historically interesting but about as tedious as any other western, and none of the characters really grabbed me.

Coverband (New Zealand: TV One)
A one-hit wonder band reunite back in New Zealand years after they were famous. Unfortunately, the female lead singer was the one who was a success, leaving the terminally unsexy rest of the band to make it by themselves, something at which they fail miserably. Now having to deal with the pressures of normal lives and forced to do cover versions of other bands’ records, they suck completely until they stagecrashed by Laughton Kora, who shows them what rock charisma and singing really are, so they hire him. Kind of.

It’s an amiable and accurate enough show, based on cast member Johnny Barker’s own experiences as an Auckland cover band musician, and were there enough time in the world, I’d probably tune in for a few more episodes. But the show’s not so inspiring that I’ll throw something else aside for it and I’ve already seen The Wedding Band crash and burn, so I don’t think I need to see that happen again.

Unfortunately, New Zealand doesn’t want to produce any globally available videos of its own shows, apparently, so here’s a picture of the cast to tide you over.

Coverband

That's it for new new shows, but after the jump, I’ll be running through: Arrow, black-ish, The Blacklist, Doctor Who, The Flash, Forever, Gotham, Homeland, Marvel’s Agents of SHIELD, Plebs, Scorpion, Selfie and The Walking Dead.

But hey! Before you go, I should mention I went to the theatre, too!

Electra (Old Vic)
Kristin Scott Thomas as Electra, a new translation of Sophocles’ original text by Greek tragedy stalwart Frank McGuinness, music by PJ Harvey – what could go wrong? Well, not much actually, beyond a certain staticness to the direction, a slightly weak performance by Jack Lowden as Orestes and a very strange performance by Tyrone Huggins as Aegisthus. Other than that, a fine piece of work, surprisingly faithfully staged (although that’s not quite how Greek people prayed), with an outstanding performance by Thomas and a surprisingly funny text by McGuinness – in part to cover up for casting slightly older than originally written, but also to hide the unlikelihood of Electra not recognising Orestes. Liz White (Life on Mars) gives the best performance I’ve ever seen from her as Chrysothemis, Electra’s sister.  

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