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News: Mount Pleasant, Six, Witless renewed; Lauren Graham curbs her enthusiasm; Dan Harmon: sitcom guest star; + more

Posted on February 24, 2017 | Post a comment | Bookmark and Share

The poster for CHIPS

Scandinavian TV

  • Scanbox developing: adaptation of Valdimar Ásmundsson's Makt Myrkranna (Powers of Darkness) as Dracula Now



US TV show casting

New US TV show casting

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Review: Powerless 1x1 (US: NBC)

Posted on February 3, 2017 | Post a comment | Bookmark and Share

Powerless (NBC)

In the US: Thursdays, 8.30/7.30c, NBC

Although NBC has managed to return to the top of the US ratings after its horrific death plummet a decade ago, there are still a couple of things it's not good at: comedies and superhero shows. Okay, to be fair, its comedies are useless quite smart, but they're usually not desperately funny (eg The Good Place) and/or they never fare well in the ratings (eg Community). To be equally fair, it hasn't had a lot of superhero shows, but while we can all agree that at least Constantine got better over time, Heroes got decidedly worse and the less said about The Cape, the better.

So Powerless looks like the perfect storm: an NBC superhero comedy. What manner of horror could that be, you might ask? Well, for a while, it actually looked quite promising, giving us a show that builds on the same theme as both Batman v Superman: Dawn of Justice and Captain America: Civil War by being about the little people who are just trying to get on with their lives and avoid getting crushed by buildings, shot by death rays, et al as superheroes and supervillains do what superheroes and supervillains do - a sort of Lower Decks of the DC Comic Book universe, if you will. In this original story, the somewhat cynical Vanessa Hudgens (High School Musical) worked in an insurance company for supervillain Alan Tudyk (Firefly), where she has to decide whether destruction caused by Wonder Woman can be written off as an Act of God because as a demi-goddess, it's a grey area.

Following the pilot, though, show creator Ben Queen (A to Z, Drive) left and the whole thing got rebooted into something a lot more mid-season replacement.

Now, Hudgens is a wide-eyed superhero fan reporting to work at Tudyk's branch of Wayne Industries - Tudyk now being Bruce Wayne's cousin - where she has to lead a team of more jaded inventors and engineers in developing products to help the ordinary people of 'Charm City' cope with the superhero-induced trials and tribulations of life, whether those be personal Joker-poison anti-toxin injectors or inflatable suits to help their wearers withstand concussive blows.

Trouble is, her new underlings, who include Community's Danny Pudi and Undateable's Ron Funches, aren't the brightest tools in the box, so spend their entire time ripping off Lexcorp's ideas and making them a different colour, rather than coming up with anything original, which means that Bruce is thinking about shutting them down. Will they get a reprieve?

I'm not sure I care. Admittedly, the show does have its good points: Hudgens, Pudi and Tudyk are as fun to watch as always, and no less an acting god than Adam West is the narrator. There's also the occasional bit of low but amusing humour, with inept supervillain Jack O'Lantern inadvertently punning about his 'balls… of fire' and Batman coincidentally using the new product the team has just sent to Bruce Wayne (what are the chances?).

But Funches is still a near unbearably poor actor, there really aren't that many jokes and we're nearing the bottom of the superhero z-list with Jack O'Lantern and Crimson Fox - it's not so much Lower Decks as Journey to the Earth's Core. Who cares what they're up to down there?

The show's not terrible. The core cast and ideas are reasonably sound and now the producers have got over retooling the show in a hurry, hopefully they'll have time to settle in all the new ideas. But Powerless really needs to raise its ambitions - if DC corporate vetting will let it - if it's to avoid going the same way as every other NBC superhero show.

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Third-episode verdict: The Great Indoors (US: CBS; UK: ITV2)

Posted on November 14, 2016 | Post a comment | Bookmark and Share

BarrometerTheGreatIndoors.jpgA Barrometer rating of 3

In the US: Thursdays, 8.30/7.30c, CBS
In the UK: Acquired by ITV2

The worst that can truly be said about The Great Indoors - in which rugged manly outdoor activities journalist Joel McHale (Community) is summoned back to an office job by boss Stephen Fry when his magazine goes online-only, forcing him to have to work with a bunch of digital-literate millennials - is that it's a CBS multi-camera sitcom. And not in a bad way.

When I saw the trailer and before I watched the first episode, I assumed I was going to have to condemn the show in the strongest possible terms for all the usual reasons reserved for CBS multi-camera sitcoms.

But, actually, it's all right. Not totally hysterical, not having the cutting edge insight into its subject matter of Veep, not possessed of well drawn out characters, for sure. But it's still more like a lighter, nicer version of The Big Bang Theory than a nastier, more predictable version of Mike and Molly. It's a studio comedy with an audience that's designed to make you laugh.

Three episodes into the show and although it's clear that its heart is really with McHale and his desperate attempt to de-nerd an entire generation, it's also clear that times have changed and there ain't no going back - McHale has to learn from his juniors, too.

Episode two focused on the Brave New World of dating apps, and while McHale's ability to randomly speak with strangers in real-life is something of an asset that he can teach the youngsters, it's also clear it's now perceived as also a bit creepy. Most of the episode therefore dedicated to teaching him how to navigate this new, more formal aspect of dating life. 

Meanwhile, episode three is a lecture in urban apartment-hunting, with McHale discovering that for millennials, there's a clear choice between having money to live off and having a decent place to live in - you can't have both.

The show also manages to avoid turning everyone's favourite uncle, Stephen Fry, into yet another quaint Englishman. Here, he's erudite, funny, travelled and a man's man, happier drinking whisky with McHale and trading war stories, than bedding down with the millennials in their indoor tents. 

Where the show doesn't quite gel - at least, not yet - is Susannah Fielding, who plays Fry's daughter/McHale's one-time girlfriend. While she's clearly supposed to be something of a translator, able to speak both millennial and middle-aged, she's not well served by the scripts and her delivery is reminiscent of 'Pantomime Dame 3' from last year's Jack and the Beanstalk. 

Similarly, the millennials themselves are more ideas of millennials than developed characters in their own rights - this one's sexually fluid, this one's deadpan and inexpressive, this one's computer-literate and so on. While each of those traits is more nuanced than you'd expect, there's still no real background for any of them, no stories that are really about them rather than McHale.

But we're at episode three of a multi-camera sitcom that could be on for the next decade, given it's CBS. There will be time for The Great Indoors. Thankfully, it does at least have a good foundation to start with.

Rating: 3
Would it be better with a female lead? Different, not better
TMINE's prediction: Could last a good few seasons, given 2 Broke Girls is still on

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