It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.
The usual "TMINE recommends" page features links to reviews of all the shows I've ever recommended, and there's also theReviews A-Z, for when you want to check more or less anything I've reviewed ever. And if you want to know when any of these shows are on in your area, there'sLocate TV - they’ll even email you a weekly schedule.
More new and returning TV shows mean the return of the backlog, I’m afraid. Sigh. It’s not easy this job with all its highly demanding… sitting in front of a TV and then writing about it…
Anyway, moving swiftly on, I’ll just promise that I’ll be reviewing Syfy’s TV version of 12 Monkeys either later today when I’ve finished watching it or tomorrow during my lunchbreak. One of those.
There is a stereotype that Canadians are basically the same as Americans – except smarter. Unfair? Untrue? Maybe. Yet, if we were to judge how Americans and Canadians approached almost exactly the same idea, it would be hard not to think that perhaps there’s truth to the stereotype.
A few years ago, Canada’s CBC gave us the mind-bending Being Erica, in which over-achieving Erica Strange MA is stuck in a dead end job, her personal life a mess, when a mysterious proverb-quoting stranger gives her the opportunity to do over key moments in her life with the benefit of hindsight, so she can fix her problems and grow as a person.
It was a lovely, jaunty, smart little show with a lot to say for itself and quite rightly, countries all over the world acquired it. Even the US. Many countries even tried to make their own versions of it, few actually getting anywhere with it. Even the US.
But now we have VH1 – yes, the TV music channel for oldies – entirely by coincidence and in no way doing anything that would require it to pay a licence fee to anyone, giving us what is essentially a remake of Being Erica called Hindsight. Except it's a lot stupider.
Becca (Laura Ramsey) is a 40-something secretary about to embark on her second marriage to Andy (Nick Clifford), a nice but definitely dull guy she doesn't really love, when she bumps into a Buddhist-proverb quoting stranger. Wouldn't you know it, she's waking up the next day back in 1995, on the eve of her first wedding to the hot but bad Australian Sean (Craig Horner from Legend of the Seeker). How did she get there? Who was the proverb-quoting stranger? Should she tell best friend Lolly what's happened and why they're no longer talking in the future? Should she still marry Sean or should she go off with Andy? Will the benefit of hindsight help?
These are the questions that Hindsight poses. You’ll notice that questions about the existential nature of reality, the self and one’s career do not feature in that list.
Canada seems to have had a thing for time travel for late. Maybe it's pining for a previous government or something, but following semi-hot on the heels of Being Erica, we have Continuum on Showcase - Canada's last best hope for original programming thanks to all the government cutbacks.
Continuum is doubly a show about time travel since you feel like you're going back in time when you watch it - it's essentially a remake of Time Trax, starring everyone who co-starred but didn't star in that series you used to watch: Rachel Nichols from Alias, Victor Webster from Mutant X, Lexa Doig from Andromeda, Roger R Cross from 24, and probably everyone who's been in any episode of Stargate ever (but not starred in it).
Here we have Nichols as a cop in a dystopia 65 years in our future in which the corporations have bailed out the failed governments and imposed their own not-always benign laws. When a bunch of incarcerated terrorists (or are they just rebels?) somehow manage to escape to 2012, Nichols gets accidentally dragged back with them and she has to round them up again before they can take over the world, prevent the future and kill lots of people in the process.
So far, so Time Trax. The big difference between Continuum and Time Trax, however, is that despite being a little mired in the police procedural genre, Continuum is actually pretty good, with some interesting attempts at world building, a couple of twists on the whole time travel thing, and some really halfway decent bits of futurology.
Plus it's got Rachel Nichols in a catsuit. That'll work.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.