You remember Nathan Fillion and Alan Tudyk, don't you? They starred together in a little known sci-fi TV series called Firefly, which was sadly cancelled before its time.
Or did they? Maybe they were really in a show called Spectrum, which was sadly cancelled before its time.
I'll get back to that in a moment.
Fillion and Tudyk have since gone on to all kinds of exciting projects, including Drive, Castle and Suburgatory. But recently, they crowdfunded a Galaxy Quest-esque new web series written and directed by Tudyk called Con Man, about the stars of a cancelled sci-fi show called Spectrum. While the star of that show (Fillion) has since gone on to fame and fortune, co-star Tudyk is resorting to attending sci-fi conventions and the like to make ends meet, with all the issues that brings with it.
Given that the crowdfunding for Con Man managed to raise $3.2m, the third highest amount raised for a film campaign on any crowdfunding platform ever, don't be surprised that first, the production values are actually quite high and that second, Fillion and Tudyk were able to invite some of their friends, former co-stars and general members of the 'Whedonverse' along for the ride, including:
There are remakes. Then there are unnecessary remakes. And then there’s The Returned.
First, there was a French movie called Les Revenants. That saw a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small French town, who have all moved on.
Then there was a Canal+ TV series called Les Revenants based on the movie, which aired on Channel 4 in the UK and on Sundance in the US; the second season of that is going to air in France later this year. That saw a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small French town, who have all moved on.
Then there was a book called The Returned. That saw a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small US town, who have all moved on.
Then there was an ABC TV series in the US called Resurrection based on the movie, which aired on Alibi in the UK; the second season of that is currently airing. That saw a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small US town, who have all moved on.
And now we have a US remake of the Les Revenants TV series called The Returned. This sees a whole bunch of people coming back from the dead and returning to their very much surprised loved ones in a small US town, who have all moved on. Worse, still it's practically identical to Les Revenants in almost every way - to the extent that alleged screenwriter and showrunner Carlton Cuse (Lost, The Bates Motel) and every other writer involved should probably relinquish their credits and give them over to the translators who translated the scripts into English for them.
You have to ask why this is happening. Sure, Sundance is a bit niche, but with Resurrection airing on ABC, it’s not like the concept’s not already getting a pretty good airing as it is. Yet here it is, not as good and not as creepy as Les Revenants, but filling our screens all the same on A&E, the network whose tag line is “Be original”. Oh sweet, sweet irony.
Still, let’s evaluate The Returned on its own terms, rather than merely wondering why it exists. After all, despite the fact we’re into episode two and at least three dead people have already turned up, no one in The Returned is wondering why they exist, so clearly a lack of questioning is all the rage.
As a show, it’s all right, but it’s supernaturally generic. We have a decent cast, some of whom look virtually identical to their French counterparts, including Kevin Alejandro (Southland), Michelle Forbes (BSG, Homicide, ST:TNG), Mark Pellegrino (Lost, The Tomorrow People) and Jeremy Sisto (Kidnapped, Suburgatory), with support from just about any reliable Canadian actor you care to mention (including Aaron Douglas from BSG, and Roger Cross from Arrow, 24, and Continuum). The various mysteries and secrets of the characters - assuming you haven’t already learnt them watching Les Revenants - are intriguing, and their various dilemmas are relatable. Well, apart from Pellegrino’s, cos he’s a git in this. If you watch the trailer at the end of the first episode, you’ll know that zombie-esque action is on the horizon, which is at least moderately more interesting than anything Resurrection was prepared to throw our way.
All the same, the characters are all colossally annoying in their inability to even call a doctor to ask WTF is going on. No one mentions what’s happened to anyone else, meaning that no one yet knows that they’re not alone in having a returned loved on. No one’s even mentioned zombies, except one of the zombies themselves, so that doesn’t count. Michelle Forbes hasn’t even had a line yet.
But briefly just to make comparisons with the original again, there’s none of Les Revenants' unusual qualities. No odd silences, no quiet pieces of direction, no genuinely creepy kid, no lovely Mogwai soundtrack. The Returned is like virtually everything else on A&E: decent, solid, slowly paced and with nothing about it whatsoever that could be described as revolutionary. It’s comfortable viewing for an uncomfortable subject.
And perhaps that’s the argument for this otherwise unnecessary remake: it’s more watchable for being less unusual, meaning that more people are likely to watch it all the way through to the end.
So should you watch it? Well, look at the picture above of Victor in The Returned. Now look at the picture below featuring Victor from Les Revenants.
Would you rather watch a show featuring top Victor or bottom Victor? Once you know the answer to that, you’ll know which version is for you. And here are corresponding trailers to help you, too.
It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.
The usual "TMINE recommends" page features links to reviews of all the shows I've ever recommended, and there's also theReviews A-Z, for when you want to check more or less anything I've reviewed ever. And if you want to know when any of these shows are on in your area, there'sLocate TV - they’ll even email you a weekly schedule.
Lots of new shows to deal with this past week, including 12 Monkeys. Unfortunately, it’s my busy time of the month, so I won’t be able to deal with them at length and there’s a few third-episode verdicts I’m going to have skip, too. Fortunately, though, all the new shows don’t really warrant full reviews…
Backstrom (US: Fox) Despite having been canned by CBS straight after its pilot, this adaptation of Leif GW Persson’s Bäckström books has been resurrected over at Fox and once again demonstrates that the US really shouldn’t be adapting Nordic Noir. It stars Rainn Wilson from The Office as the eponymous Backstrom, a Portland police detective who’s best thought of as Gregory House MD but without the talent, the charm or the looks, bungling his way from crime scene to crime scene being lazy and offensive and being proved right because the script demands it, rather than because of any insight. So the producers think it very funny that Backstrom have the nearest - and indeed only - black person around arrested because he’s black so probably was involved in the crime. My, how comically racist! Except the black person is involved in the crime - how actually racist!
There’s some decent supporting characters, including an MMA-beat cop (Page Kennedy); a New Age medical examiner (Kristoffer Polaha from Ringer, Valentine, Life Unexpected), whom everyone reacts to like he’s English, even though he doesn’t even have an accent; an investigator whom everyone reacts to like she’s French, because she is (Beatrice Rosen); and Dennis Haysbert (The Unit, 24) as Backstrom’s boss. But this is as lazy as Backstrom himself, trying to fake being intelligent and gimmicky by having Backstrom ‘empathise’ (saying out loud, “I am character x, I feel y, therefore I would have done z”) and come up with insight such as “Anyone who says ‘Absolutely not’ is absolutely lying”, rather than actually being intelligent or having insight.
Weirdly, between moving from CBS to Fox, there’s been some recasting and a lot of the funnier and smarter stuff has been removed, making it worse not better than it was before.
Young Drunk Punk (Canada: City TV) After last year’s slew of 80s nostalgia shows in the US, time for some 80s nostalgia from Canada, with Young Drunk Punk, in which two teenage nerd punk-wannabes search for their destinies after leaving high school. Despite being written by and starring Bruce McCulloch (Kids In The Hall) this is very much like the previous half dozen Canadian comedies that have come by in having a total laugh count of zero.
After the jump, 19-2, Arrow, Banshee, Constantine, Cougar Town, Elementary, The Flash, Galavant, Gotham, The Ground Floor, Hindsight, Man Seeking Woman, Marvel’sAgent Carter,State of Affairs, Spiral (Engrenages) and Togetherness. One of them’s on the verge of getting recommended, one of them’s going to be dropped, and one of them is on the borderline. But which ones? You’ll find out after the jump.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.