In the US: Sundays, 10pm ET/PT, Showtime In the UK: Acquired by Sky Atlantic for the Summer
First, a request: in one weekend, we've had two hours of Camelot, two hours of Spiral, two hours of The Killing, two hours of The Kennedys and now two hours of The Borgias - dear TV networks, please can you just show one episode at a time of your TV shows because I won't watch them again if you don't. I won't have the time. Not that there's much chance of my watching either Camelot and The Borgias again.
There, I've already ruined the ending of this review for you. Oops.
So, let me tell you for why I say that. Here's something curious. HBO is upper class. It has natural breeding. Showtime is middle class. It looks up to HBO, but it looks down on Starz. And Starz is working class. Each knows their place.
Yet for some strange reason, all of a sudden, Showtime would like to be Starz and Starz would like to be Showtime. Yet there is no social mobility here. Starz cannot be Showtime; Showtime cannot be Starz. Starz may have nicked the bloke who made The Tudors to come up with their own Arthurian version, Camelot, but it's still a tacky piece of vulgarity - much like Spartacus. But that does at least have the virtue of some cracking plotting, internecine politicking, John Hannah and Xena: Warrior Princess. Oh, and some full frontal nudity, softcore porn, language that would shock a sailor and massive bloodletting.
Starz cannot be Showtime.
Similarly, although Showtime would like to make something like Spartacus, in which there's sex, incest, murder and swordfights, it ends up hiring Neil Jordan to make something with Jeremy Irons in it that's largely about the 15th century Catholic church's papal laws of ascendency. Who'd have though sex, incest, murder and swordfights could be so boring?
I'd really like to be able to cheer on ITV. For years, it made some of the best dramas and comedy this country ever produced. Then it fell into a deep, dark hole which looked like it had no bottom. But under Michael Grade and Peter Fincham, it started to look like it had a future again and even began to put out some semi-decent programming.
I'd like to say that Identity, which stars as Ashes to Ashes' Keeley Hawes, The Wire/Queer As Folk's Aiden Gillen and Soldier Soldier's Holly Aird as a crack police squad dedicated to foiling identity thieves, is at the spearhead of ITV1's resurgence, a gleaming piece of taught drama, intelligent plotting, realistic dialogue and plausible characterisation that any network could be proud of.
About the blog
This is a UK media blog with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events and competitions and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Carusometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.