It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them. There's also the Reviews A-Z, for when you want to check more or less anything I've reviewed ever.
Ironically, just as I've started catching up with everything again, we're about to enter the lull in US TV marked by Thanksgiving December. That means that this week will probably be marked by ventures into Internet TV again, including, I hope, a return to Le bureau des légendes (The Bureau). But always expect the unexpected, since there'll be a few new shows popping up, I'm sure. Hell, Australian Community TV just debuted the six-part ghostly Sonnigsburg, so I'm sure there'll be something coming along I wasn't expecting.
Elsewhere this week, I reviewed Good Behavior (US: TNT) and Shooter (US: USA; UK: Netflix). We've still not got round to watching any more of The Crown,Westworld or Humans, and I've not yet made a start on Y Gwyll, so that means that after the jump, we'll be looking at the latest episodes of Ash vs Evil Dead, Chance, DC's Legends of Tomorrow, Designated Survivor, Dirk Gently's Holistic Detective Agency, Falling Water, Frequency, Good Behavior, The Great Indoors, Lethal Weapon, Lucifer, People of Earth, Supergirl, Timeless and Travelers, as well as the season finales of Doctor Doctor and Hyde and Seek. One show's getting promoted, at leat one show's getting dropped - can you guess which?
But first, as well as a film review, a slight diversion from TMINE's normal remit…
The Grand Tour (Amazon) TMINE's dedication to scripted shows wasn't always so pure, back in the day. That meant I used to cover shows that included Top Gear. That stopped a while ago, in part because of the shift in focus caused by there not being enough time in the world to watch unscripted as well as scripted TV, but also in part because I stopped watching Top Gear - it had simply stopped doing anything new, and I was bored.
Following Jeremy Clarkson's leaving the BBC, James May and Richard Hammond in his wake, the Top Gear trio signed up with Amazon to do a new show. What manner of show it would be we didn't know, because Clarkson allegedly had a non-compete clause prohibiting him from doing another car show. Given the name, The Grand Tour, maybe it was just going to be a bunch of the old Top Gear travel documentaries.
Anyway, for old time's sake, I decided to 'tune in' today to see what The Grand Tour was like.
Guess what. It's… a car show. More so, it's Top Gear again, just a bit swearier and a bit glossier. More or less every feature of Top Gear has, in fact, moved over to The Grand Tour (note the reversed initials in the title), with just a few changes.
For starters, in its first episode at least, it simply relocates its studio setting from an old hangar in SW London to a tent in the Mojave desert, with each subsequent episode relocating the show to another part of the world (Johannesburg and Barbados have been promised).
From inside the tent, surrounded by a native audience, the trio then do the same bickering routine as always, with plenty of races with supercars to break that up. However, everything is done on an Amazon budget, with computer graphics, travel to Portugal for races, et al. And where an element might have got copyright-infringingly close to Top Gear, the show makes changes to the format. Gone is the Stig, replaced by… The American, a tame Nascar driver, for example, and since they can't use the Top Gear track to test cars any more, they've had to use a different one.
As I said, the reason I gave up on Top Gear was that it stopped innovating. Unsurprisingly perhaps, it's all the changes, rather than the keepers from the Top Gear format, that are the best bits of The Grand Tour and remind you how good the former was before it started coasting. The celebrity guest spot was great; the new parts of the track are great; the more scripted aspects of the audience interactions are great; the celebrity guests spot was great.
Where it was at its most dull was when it was Jeremy Clarkson just driving around in a supercar to amuse himself. Nearly nodded off at that point I did.
As a show, Top Gear was at its best when it was all three of the hosts together in an engine-driven bickerfest travelogue in the style of Three Men In A Boat. The fewer of the hosts together and the more it was about cars, the less interesting it became. If the producers of The Grand Tour remember this and remember not to rest on their laurels, The Grand Tour could become what Top Gear once was - a weekly fixture in our house.
Hypernormalisation (iPlayer) I'd already given you the bingo card, but I've now had a chance to watch this latest Adam Curtis documentary about why the world is the way it is. Impeccably timed to arrive in a post-Brexit, post-Trump world, it shows how attempts to create stability without politics has given us an era in which everything seems real, nothing seems true and no one wants to do anything about it through politics for fear that the boat will be rocked in ways no one can predict.
Clocking in at just under three hours, Hypernormalisation gives us all manner of brilliant and astonishing documentary footage, but is still the least persuasive of Curtis' oeuvre so far. Ironically, given that Curtis critiques our need for simplistic answers to complex problems, his argument is probably too simplistic to be true. But it still takes us to exciting thoughts and considerations about the world that are probably close to the truth but which nevertheless are just hints at the real truth - if such a thing now exists.
All the same, simply through reminding us of all manner of things that have long since been forgotten about, as well as of the fact that what's normal now wasn't always, it's well worth a watch.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.