Sometimes, on this ere blog, you might wonder to yourself, “How can I watch these marvellous international shows that Rob talks about?” Well, that would be telling, although depending on where you live, Netflix, Hulu and Amazon Prime are all possible options.
What I would suggest at this point, particularly if you’re in the US, is MHz. This is a "global media company which specializes in presenting top-quality international television programming to American audiences” and it does this through a number of means, including cable. However, there’s also a streaming video channel, MHz Worldview Live, which isn’t geo-restricted – you can watch it anywhere in the world.
Now, being a US channel, it operates a schedule geared to US time zones. However, if you’re prepared to stay up to the wee small hours, you can watch, for example:
Commissario Brunetti Mysteries: Oddly, an American author writing detective stories set in Venice but that have been adapted and made in German
Tatort: The world's longest-running German-language police procedural show, having first started in 1970! It’s filmed in Germany, Austria and Switzerland, with each country producing its own episodes with its own characters
The Eagle: A Danish TV show that’s a bit like Crossing Lines, with a crack Danish police squad solving crimes that cross borders into countries including Russia, Germany and Norway.
There’s also more familiar international imports Wallander, The Bridge, Salamander, Borgen, Unit One, Detective Montalbano, Crimes of Passion, Maigret, Spiral and Sebastian Bergman. Give it a try.
It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.
The usual "TMINE recommends" page features links to reviews of all the shows I've ever recommended, and there's also the Reviews A-Z, for when you want to check more or less anything I've reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV - they’ll even email you a weekly schedule.
As we sit in the gap between the end of the Fall 2014-15 season and the summer season in the US, Canada and most countries around the world, we discover the horror that is not having any tele to watch. I’ve even been reading books. Gasp!
But I have found a few other things to watch and tell you about, don’t you worry. I’ve already reviewed the first two episodes of 1864 elsewhere, and after the jump, as well as the usual usuals of Community, The Flash, Game of Thrones and Silicon Valley, I’ll be casting my eye over Netflix’s three-part Brit sci-fi/horror gloom Residue. But I’ve actually managed to watch a couple of movies, too. Well, parts of movies…
The Hobbit: Battle of the Five Armies (2014) (iTunes) The third of the almost interminable Hobbit movies sees Bilbo and the dwarves facing orc armies, dragons and more in a whole bunch of scenes that definitely weren’t in the book. The big Hobbit conclusion - Bard killing Smaug - happens in the first 10 minutes or so, after which it’s all about big armies of CGI beasts smashing each other, and elves being stoic and doing the right thing, all while Thorin (Richard Armitage) fights off his gold addiction. The Hobbit himself (Martin Freeman)? Doesn’t actually do a whole lot…
As I mentioned in the comments on last week’s WHYBW, I did actually start watching this nearly a fortnight ago, got three-quarters the way through then went to bed… and totally forgot I was watching it until this Monday, by which point it was too late to continue watching it without re-renting it. So I’ve no idea if we get cameos from old Bilbo and Frodo (or anyone else) at the end, and probably won’t do until Netflix picks it up. Nevertheless, while you might argue that this all tells you something about me, I’d argue that it tells you something about just how engrossing this third entry in the series really is.
American Sniper (2014) (iTunes) Clint Eastwood’s adaptation of the autobiography of America’s most lethal sniper got a whole lot of attention for something that’s really pretty ordinary at heart. Bradley Cooper does well as the Texan who enlists in the Navy SEALs in the 90s to fight terrorists and ends up shooting an awful lot Iraqis in the 21st century, while Sienna Miller is astonishingly unrecognisable as his long-suffering but tolerant wife.
Eastwood’s direction is relatively pedestrian and matter of fact, and his few forays out into CGI special effects are decidedly ill-advised (did he learn nothing from Firefox?). But the film is notably non-judgemental and reverential of its subject, showing a normal man in a lethal occupation doing his best to defend people and his country, even if he subsequently finds it hard to initially mix with those people when he returns from war.
While it’s easy to criticise the movie for not bothering to make any of the Iraqis anything more than murderers, with scenes at times reminiscent of Zulu’s large-scale slaughter, most members of the audience will be aware of the greys of the situation and that this is just one story about a very complex subject. Worth watching to see just what Bradley Cooper can do as an actor and if you prefer your dramas to have less judgement of its subjects.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.