It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently and your chance to recommend anything you've been watching.
Real-world demands got the better of me last week, so I thought I'd do WHYBW nice and early this week, just in case the world explodes or something - at least you'll have something to read as we all float off into the aether.
That means that after the jump, I'll be discussing two weeks of the regulars: 24:Legacy, Cardinal, DC's Legends of Tomorrow, The Flash, Fortitude, The Great Indoors, Lethal Weapon, The Magicians, Man Seeking Woman and Powerless. I'll also be looking at the season finales of Son of Zorn and Timeless, as well as the return of Billions. For a bit of excitement, you can guess which one of these I'll be dropping from the viewing schedule.
But I have tried three new shows as well that didn't warrant full reviews.
Doubt (US: CBS) Katherine Heigl is the brilliant, impulsive but quirky and flawed lawyer at a New York 'boutique' legal firm full of brilliant, impulsive, quirky and flawed lawyers. Trouble is, she's falling for the rich guy she's defending but he might be guilty…
Despite an awesome cast (Heigl, Laverne Cox, Dulé Hill, Elliott Gould, Dreama Walker, Ben Lawson, Cassidy Freeman) and obviously being intended to be slightly comedic, Doubt is so bad as to be unwatchable. It's insulting stupid, as clumsy as a drunk rhino in its writing and has dialogue designed to shatter bowels. I had a feeling that this was never going to go the distance and hey, would you look at that - it's been cancelled after only two episodes, a record for the 2016-2017 season.
Patriot (Amazon) Spy comedy-thriller in the style of Wes Anderson, in which intelligence officer Michael Dorman must assume a perilous 'non-official cover' as a mid-level employee at a Midwestern industrial piping firm, in order to prevent Iran from going nuclear. The trouble is, as his spy dad Terry O'Quinn points out, Dorman sings folk music to ease his stress, but he's becoming increasingly truthful with his lyrics…
All of which is funny enough and you get it all explained to you in the first ten minutes of the first episode. After that, though, the High Concept runs out and you're left stuck with a show about a process engineer who sings songs about killing Egyptian physicists in order to preserve US interests overseas. Some nice ideas, but not really enough to support an entire episode, let alone an entire season.
Training Day (US: CBS) Adaptation of the Denzel Washington movie in which a young rookie cop is partnered with an older, wiser cop to learn the ropes. The twist is that younger cop (Justin Cornwell) has been sent to spy on the older cop (Bill Paxton), who's suspected of not just bending the rules but of being liable to break them quite severely.
The show sets itself up as a sort of American Braquoto question what exactly makes a good cop. Are idealism and the rule of law the best and only way to fight criminals? Or is the real-world too messy and must a cop break the rules in order to best serve his higher purpose? And even if he does, if he works well with the community and gets results, shouldn't we look the other way?
However, whatever side of the argument you support, Training Day isn't going to answer its questions definitively because it bears as much resemblance to reality as chocolate-flavoured beachball. People are diving out of windows clutching babies to avoid explosions, automatic gunfire can't penetrate wooden door frames, lone police officers can get into heavily armed drug dealers' houses with a single shotgun and without killing anyone. It's just nonsense.
As a show, it's so daft and pointless, I actually saw the first episode three weeks ago and completely forgot I'd seen it. Unfortunately, it is now Bill Paxton's swansong, so I thought I should at least mention it.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.