It's "What did you watch this week?", my chance to tell you what I movies and TV I've watched this week that I haven't already reviewed and your chance to recommend things to everyone else (and me) in case I've missed them.
First, the usual recommendations:
The Americans (FX/ITV).
Archer (FX, 5USA)
Arrow (The CW/Sky 1)
Banshee (Cinemax/Sky Atlantic)
Being Human (US) (SyFy)
The Daily Show (Comedy Central)
The Doctor Blake Mysteries (ABC1/ITV)
Cougar Town (TBS/Sky Living)
Elementary (CBS/Sky Living)
Go On (NBC)
House of Cards (Netflix)
Modern Family (ABC/Sky 1)
Mr Selfridge (ITV/PBS)
Shameless (US) (Showtime/More4)
Southland (TNT/Channel 4)
Spartacus (Starz/Sky 1)
Top Gear (BBC2/BBC America)
Vegas (CBS/Sky Atlantic).
These are all going to be on in either the UK or the US, perhaps even both, but I can't be sure which. If I got the channels wrong, let me know and I'll fix them
Still in the queue: plenty to go in the House of Cards queue and there's this week's episodes of The Doctor Blake Mysteries, Vegas, Elementary, Archer, Zero Hour and Community to watch, although I think Community's days as a watched programme are numbered in this house. On top of those I have new US show Cult to watch – basically The Following but on The CW and with the guy who played T-Bone on Prison Break – which I'll try to sneak a look at over the weekend, as well as new Australian show, Mr and Mrs Murder, which sees a husband and wife team cleaning up murder scenes (literally) and then doing some detective work of their own. I've also got Channel 4's one-off spy drama Complicit to give a try, but Guy says it's a bit rubbish so I might skip it.
I did get round to watching Sky Living's The Spa, which stars Rebecca Front. It's as dreadful as every other Sky 1 and Sky Living comedy, I'm afraid. In particular, we had a scene based on someone being told to tell someone they were 'clinically obese' and mishearing and saying they were 'clinically a beast'.
Now, some thoughts on the regulars as well as some of the shows I'm still giving a try.
The Americans (FX/ITV): A rather excellent episode all round, set against the backdrop of the attempted assassination of Ronald Reagan and suggests how it could have resulted in World War 3. There's excellent usage of archive news footage and intriguing to see the Soviets transferring and imagining it could be an attempted coup by General Hague. 'Operation Christopher' also showed just what the KGB was capable of if necessary. There's also a humorous suggestion that Christopher Hitchens (ish) was basically a Soviet sleeper agent, pretending to be a new-wave conservative to hide his true plans to spy on the US. Very much recommended.
Arrow (The CW/Sky 1): A living breathing advert for Windows 8 and way too teenage and soapy. Even James Callis couldn't keep a straight face. It was redeemed by the use of the BSG alert klaxon during the museum robbery scene.
Banshee (Cinemax/Sky Atlantic): Is it my imagination or is the title sequence becoming more and more animated with each episode? I could have sworn the albino didn't move until this episode. A decent flashback episode, this one focusing on Hood's time in jail, that paid off well if you'd been watching since the beginning. Very, very brutal, mind.
Being Human (US) (SyFy): Somehow feels less involving than previous seasons. Mark Pellegrino turning up in flashback was good, as was his English accent, but Sam Witwer's needed work.
The Blue Rose (TV3): Still hasn't found its feet and neither comedic nor dramatic enough to be compelling. But I'll give it a week or so more yet.
Elementary (CBS/Sky Living): Not seen all of it so far, but I'll tell you one thing: Sherlock Holmes doesn't know how to build a molecule with benzene rings in it properly.
Go On (NBC): Has reached the point where ideas are now being thrown out randomly, whether they work with particular characters or not. They finally gave the blind black guy something to do with some funny retcon – he's a former cop and has mentioned it loads of time, but because everyone's been so self-involved they've ignored him – and Piper Perabo does a funny New Jersey accent.
House of Cards (Netflix): I'm an episode or two further along now and enjoying its twisty turniness. Not convinced Kate Mara's character would allow herself to have pictures taken in the nude, and the latest episode had the usual American belief that unions are little more than organised crime in disguise, even teachers' unions, but lovely stuff. The show actually used the c-word as well, which was remarkable. And if you wondered what happened Joel Schumacher, turns out he's directing House of Cards now. Definitely still recommended.
Modern Family (ABC/Sky1): Yes, that was Maxwell Caufield.
Mr Selfridge (ITV/PBS): The show's starting to become a little self-mocking and Jeremy Piven is starting to spiral out of control, presumably thanks to the punishing schedule. The archness (and hair bra) of his aristocratic sponsor is also starting to grate, as are the accents of some of the cast: some of the Selfridge children's US accents are wobbly and Amy Beth Childs, who was good with a Northern accent in Sirens, is clearly struggling with a squeaky cockney. Still, we did get John Sessions as Arthur Conan Doyle and a seance, and next week, we're going to be getting Michael Brandon (Dempsey from Dempsey and Makepeace).
Shameless (US) (Showtime/More4): For once, you wanted to side with Steve against Fiona in their dramas. All of a bit of a jolly jape, though, all the mean girls at the swimming pool were good, but the ending was a refreshing change to the status quo. Looking forward to seeing what happens next week.
Southland (TNT/Channel 4): And so the bleakness goes on. Loving it. Best moment: Cooper's fire-fight, although his continuing self-closeting and kindness to the Downs girl were close seconds.
Suits (USA/Dave): A great finale marred somewhat by some of the worst English stereotypes since The Patriot or possibly Three Men and a Little Lady. It does feel though that it's not actually doing seasons any more but is just one long continuous show that occasionally takes breaks.
"What did you watch this week?" is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid - and for me to do mini-reviews of everything I've watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you've seen so they can see the good stuff they might have missed?
In Canada: Mondays, 8:30pm ET/PT, CityTV In the rest of the world: Not yet acquired
Well, I was patient. I was tempted to give up after the first episode of Seed, a Canadian comedy in which a Seth Rogen-esque slacker and sperm donor is tracked down by first his his biological son, then his biological daughter then one of his current, pregnant donation recipients (and new potential romantic partner), and has to come to terms with being a dad and offering sage life advice. It suffered from two basic flaws: relentless stereotyping and a lack of actual jokes.
Yet it was somehow so damn likeable that I stuck around for the second episode, which was a marked improvement: funnier, nicer and cleverer, and with fewer stereotypes. Could it be it was improving?
No. Mistake on my part, that. Episode three returned to the same lack of standards as episode 1, with more stereotypes than a Bernard Manning comedy routine and a matching lack of jokes.
Even on its own terms, it makes no sense whatsoever. Here's a sample plot from the third episode: the lesbian couple with our 'hero's' son have been trying to bring him up without any masculine attributes, such as ambition, assertiveness or aggression (which are just fine in them, mind you). However, 'dad' objects to his nine-year old going to 'scrapbooking' classes, and it turns out that the son is only going to the classes because of his mothers. So - because dad fancies the teacher - he enrols his son in a rhythmic gymnastics class instead. So what happens? The lesbians, who have been trying for nine years not to bring up their son in a stereotypical way, start to worry that their nine-year old needs to have more male interests or else he'll turn out 'super gay'.
What? You can try to make sense of that for the rest of eternity and it won't.
So despite that strangely likeable quality, the complete lack of internal consistency, the rampant stereotyping and the total lack of jokes means it's a big no to Seed from The Barrometer, I'm afraid.
Barrometer rating: 4 Rob's prediction: Will last a season at best
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This is a UK media blog with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
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"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
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I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.