Sometimes, it's really possible for TV to make you feel old. I remember watching an episode of Quantum Leap back in the early 90s while I was at university and thinking to myself, "Ah, isn't that sweet? Donald Bellisario and Deborah Pratt have put their little four-year-old daughter Troian into an episode."
Troian Bellisario is now 25 and one of the stars of Pretty Little Liars. In fact, of all the stars she's the oldest.
God damn it. I'm officially old.
Pretty Little Liars is an attempt to somehow meld Gossip Girl with Vampire Diaries, with just a hint of Desperate Housewives. Based on the book series of the same name - which ironically was only developed in the first place when an attempt to create a TV show from the initial idea floundered - it features four pretty high school girls who were once the best of friends. That all ended a year ago, when the fifth member and leader of their group, Ali, disappeared one summer. A year later, one of the friends returns from a stay in Europe to find the group has fallen apart.
Yet something's going to bring them together. Could it be Ali? If it is, why won't she reveal herself and why does she keep sending them anonymous text messages? Worse still, is she going to give away all their secrets?
A little while ago, AMC and ITV1 remade The Prisoner. It was awful, so awful in fact that I gave up after three episodes and didn't even bother reviewing it. Not only was it very dull, it entirely failed to understand the original's paranoia and themes.
This is quite a common thing to happen: after all Cape Wrath/Meadowlands was pretty much The Prisoner but with criminals. So you might think that The Prisoner could never be remade well.
Fortunately, it seems someone did understand The Prisoner and although Persons Unknown isn't exactlyThe Prisoner, Christopher McQuarrie (The Usual Suspects) has taken many of the elements that made the show work, and after crossing them with elements from computer adventure games, transplanted them into this summer mini-series.
So don't stop me if you've heard this before: in Persons Unknown our heroine is gassed and abducted and wakes up to find herself in a quaint small town in America. The town is impossible to escape from, cameras are watching the whole time, and bar a couple of store owners - and some fellow prisoners - the town is entirely deserted. Mysteriously, no one knows why they're there, only that they have to escape. But who can they trust and why do the people behind it all keep playing games with them?
The creators of Hot In Cleveland probably had a few alternative titles in mind for the show before they came up the current title:
Women of a Certain Age - too close to TNT's Men of a Certain Age?
Cougar Town - oops, already done that.
LA Sucks - might lose a few viewers with that one.
We Wish They All Could Be Cleveland Men- Well, men weren't going to watch anyway, were they?
Go On, Women, Watch It, Just Watch It - There Are So Few Shows With Female Leads In It That You'll Watch Nearly Anything, Won't You? - That would be the network's attitude at least.
But essentially, the cryptically-titled Hot In Cleveland refers not to the temperature there, but to the fact that a group of rich women of a certain age (Jane Leeves from Frasier, Wendie Malick from Just Shoot Me and Valerie Bertinelli of One Day at a Time/the Jenny Craig weight loss scheme) accidentally wind up in Cleveland. Used to being overlooked by men their own age in LA in favour of younger women, they're surprised to find the men of Cleveland find them - a washed up actress, a book author and celebrity stylist - attractive.
Shock, and indeed, horror.
So desperate to be wanted and desired after their businesses collapse, husbands leave them, etc, they decide to move to Cleveland, where they end up watched over by their property's caretaker, ex-Golden Girl Betty White (she's so hot right now), while trying to find Mr Right/Old School.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.