Let's go a little bit different today and review a couple of books from Cambridge publishing company Classic TV Press (hopefully no relation to Cambridge's Classic TV magazine, which folded before its first issue) that have been written by a couple of bloggers. As a bit of a contrast, one is on Doctor Who, the other is on Being Human, and one is really very good and one is really very bad. Take your bets on which is which before the jump.
Since there was something of a Tron thing going on last month, it seems appropriate that we should delve into one of wunderkind producer Glen A Larson's little 80s projects that absolutely in no way was influenced by Tron - Automan.
This saw mild-mannered police computer programmer Walter Nebicher (player by Lucille Ball and Desi Arnaz son, Desi Arnaz Jr) get all creative in his home hours and write 'Automan', a computer program that could not only think and solve crimes, it could also create its own holographic body that looked human(ish), despite being largely a glowing mass of blue.
Automan (played by musical theatre star Chuck Wagner) also had a little polyhedral sidekick called Cursor that he could communicate with and that could draw him all manner of objects, including clothing, and forms of transport, ranging from cars (a Lamborghini Countach usually) to futuristic helicopters, aeroplanes and motorcycles. Being a hologram as well, the car could turn at 90º, but being a special kind of hologram, it was actually possible for it to be solid or pass through things as Automan desired. Weirdly, Walter could actually enter inside either Automan or his car, and become equally solid or intangible.
Automan's only weaknesses? He needed an awful lot of power so he could usually only come out at night when people weren't using their toasters and other household gadgets. Oh, yes - and video game guns.
All sounds very plausible and scientific, doesn't it?
Assisting Walter, Automan and Cursor was Roxanne (Heather McNair), Walter's co-worker and long-time crush who eventually becomes his girlfriend when she finds out about Automan and helps them to solve a few crimes together. At the same time, his other co-workers couldn't be trusted so although Walter was out there solving crimes, he couldn't tell anyone, not even top cop Jack Curtis (Robert Lansing - best known for his work on The Equalizer and Kung Fu: The Legend Continues) and particularly not his technophobe boss played by Gerald O'Loughlin.
Automan, himself, was a curious personality who was best buds with Pacman and Donkey Kong, but needed to learn about human behaviour as well, despite being programmed with the complete works of Sherlock Holmes, amongst other things. Unfortunately, his learning often went wrong, with one episode dealing with an unfortunate case of soap opera overload.
Now, vehicles that move at 90º? A guy who's a computer program and largely glowing blue? A polyhedral sidekick that communicates in computerese? Hmm. That does sound a bit like Tron, doesn't it? Why didn't the network, ABC, get sued for that, Tron having coming out the year before Automan? Oh yes, because they hired two of Tron's producers, Donald Kushner and Peter Locke. Can't sue yourself, can you?
The show ran for 12 episodes from 1983 to 1984, a 13th episode having been made but not aired. There was actually a surprising variety of stories in that run, with Automan doing everything from pretending to be a vigilante cop to helping a girl group to joining a motorcycle gang along the way. As you might have guessed the tone was quite light, with everyone being as cheesy as hell and most episodes seeing Automan's naivety and Dudley Doright qualities exploited for laughs, and the day saved by Automan's breaking of the laws of physics at every turn.
Anyway, I liked it when I was a kid. Here's the pilot episode in case you missed it - weirdly, it's not an 'origins' episode, but just more or less leaps into the narrative after a voiceover explanation of the plot, which was also used in subsequent episodes. You can watch more on YouTube, but unfortunately you can't get it on DVD. Enjoy!
As much as we like to think our TV is great in Britain - and it is, or can be anyway - somehow, US TV was always that much more exciting. Case in point: The Red Hand Gang. Although British TV has had its fair share of children detectives, including The Famous Five and The Secret Seven, somehow The Red Hand Gang - a motley collection of American street kids - was just that much more exciting and dynamic. You could argue it's a street thing, with The Famous Five and co painfully middle class and "good for you" while The Red Hand Gang with its relatively diverse cast was much more fun. But that didn't work in the Blue Peter v Magpie wars of the 70s, so who knows? Maybe it was just "exotic" because it's foreign.
Or maybe it was the insanely catchy theme tune and that kid and his stupid red banana harmonica.
Either way, The Red Hand Gang - so called because they left red handprints on fences wherever they went - saw our intrepid gang of kids fight jewel thieves, kidnappers and more. The gang were:
Frankie - the leader
JR - the athlete
Doc (played by the wonderfully named James Bond III) - the brains
Joanne - the girl
Lil' Bill - Frankie's younger brother
Boomer - the dog. Bizarrely, he went on to get his own show, Here's Boomer.
Unlike a lot of shows, The Red Hand Gang was episodic, with its 12 episodes split into three stories. However, back in America, NBC cancelled it halfway through its run so many kids didn't even get to see that much.
Shame, because it's indelibly printed on many a 30/40-something British person's mind.
And yes, if you're very good, maybe someone will buy it for you on DVD.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
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"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.