As you may recall, the BFI is running a season of Peter Terson plays next month. The playwright and television screenwriter wrote some of the most deeply human and talked about dramas of the 1960s and 70s, including The Fishing Party and its sequels. The May BFI write-up has more details, and here's a playlist of some of his plays:
Well now, you lucky people, the BFI and I are offering you the chance to win two tickets to the screening of your choice. All you have to do is leave a comment on this post before 5th May (that's Friday). I'll let you all know who's won afterwards.
In the UK: Saturdays, 9pm, BBC4. Available on the iPlayer In Sweden and Denmark: Aired last September on SVT1 and DR1. Second series commissioned for broadcast in 2013
It can't have escaped your notice that the world is falling in love with Scandinavian darkness. As I've previously remarked, British TV certainly has, with BBC1 and BBC4 taking the lead with shows like Denmark's The Killing, The Killing 2 and Borgen and Sweden's Wallander (as well as the home-grown Kenneth Branagh version), and ITV3 making a stab at it with Denmark's Den Som Dræber (Those Who Kill). But even the US has spotted the trend and as well as remaking Sweden's Girl With The Dragon Tattoo movies, it's adapted Denmark's The Killing, now in its second season.
Do you know who else has noticed this trend? Scandinavians, that's who. Spotting a golden opportunity to finally export a few shows rather than having to buy in 24 and Friends to fill the airwaves, Scandinavia is seizing it with both hands. Now Danish and Swedish TV have got together to create something that while entirely Scandinavian in character still has an eye on the worldwide market: The Bridge (aka Bron/Broen depending on whether you're Swedish or Danish).
The story is seemingly simple: on the Øresun bridge between Copenhagen in Denmark (ooh, where The Killing is set!) and Malmö in Sweden (ooh, where Wallander is set!), someone leaves a body precisely halfway of the border between the two countries. This means that both Swedish and Danish police have to investigate, forcing an uneasy alliance between two apparent stereotypes who quickly reveal themselves to be a lot more than merely the Swedes and the Danes' mutual national images: an icy female Swedish detective with Asperger's (ooh, Dragon Tattoo!) and a salt-of-the-earth male Danish detective. But before investigations have gotten very far, it soon becomes obvious that this is just the tip of a very elaborate plan, one designed to change both countries and their ideas of justice.
And despite the fact it doesn't have the emotional depth of The Killing, that it's a little bit unrealistic and there is that slight hint to everything of a global market being eyed, this is actually really good television. So good, in fact, that despite it airing two episodes a week on BBC4 and my PVR actually recording Girls of the 90s on Viva the first time it aired, I actually found time to buck my normal trend and watch it before the next two episodes air tonight. Isn't that amazing?
Here's a trailer in Danish, because the BBC, in their infinite wisdom, haven't put anything up on YouTube in English - although it's worth remembering that when the show aired in both Sweden and Denmark it had to be subtitled whenever the other country's characters spoke, so we're all in it together, here. There's also a little snippet from the beginning of the first episode as well, because it has a lovely opening sequence that I thought I'd share with you.
It's here. The cover we've all been waiting for is here at last. Isn't that cool?
But would it surprise you, long-time reader of either these reviews or the new run of Wonder Woman, that events depicted on the cover may not actually occur within the narrative itself? Of course not. In fact, this issue, the exact opposite of what's shown on the cover happens. To find out what I mean by that and to take a gander at Wondie's new cossie, follow me after the jump.
We'll also be discussing the Wonder Woman bits of Justice League #8, in which finally, you will believe a (Wonder) woman can fly. At last.
About the blog
A UK media blog focusing on the best scripted TV from around the world, with daily news, views, exclusive reviews and good conversation. There's a bit of a bias towards the latest and greatest US TV, but we also cover Scandinavian, Canadian, European and Antipodean TV, as well as UK TV ranging from new Doctor Who to old Z Cars, and BBC4 to S4C.
Add in film, theatre, art, books, events, competitions and even weekly reviews of Wonder Woman comics, and you've (hopefully) got officially the fourth best blog on the web for media lovers. Oh yes, and there's The Barrometer, the ultimate guide to quality TV.
Praise for the blog Cision: fourth most important UK TV blog Blogging Edge: Blogger running Britain 2013
"For most of us watching the telly of an evening is a way to wind down and relax, but for Rob Buckley it’s his blogging bread and butter. With reviews of cult classics and up and coming US and Brit television shows, The Medium is Not Enough is fast becoming essential reading for TV buffs, with over 50,000 hits a month."
"The Medium Is Not Enough is a light-hearted look at TV, often from the US, but also from the UK. With varied, well-written content, the blog features healthy engagement and features well in search engines."
"Billing itself as 'officially the fourth most popular UK TV blog', there are several whimsical regulars here that could help it climb as high as number three…"
I'm Rob Buckley, a freelance journalist who writes for UK media magazines that most people have never heard of, although you might have heard me on Radio 5 Live's Saturday Edition or Afternoon Edition. I've edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for trade magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider and the equally short-lived Death Ray and Filmstar magazines; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it "web site for urban hedonists" The Tribe. I'm freelance now and have contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network and TV Scoop.