Archive | Canadian TV

An archive of blog entries about Canadian TV programmes and production.


January 12, 2017

Review: Pure 1x1 (Canada: CBC)

Posted on January 12, 2017 | Post a comment | Bookmark and Share

Pure

In Canada: Mondays, 9pm, CBC

Everyone knows about the Amish, right? They're the German-speaking, pacifist Christian fundamentalists who shun all things modern in an effort to be as godly as possible. You may remember them from a little known 80s film called Witness.

Less well known unless you watch a lot of reality TV are their neighbours, the Mennonites, an equally German-speaking, God-fearing group although they aren't quite as strict as the Amish - they can own cars, go to High School on the school bus and mix with the Ausländer and everything.

But even less well known than them are the Canadian Mennonites, a bunch who fled to Ontario from the US when the War of Independence broke out. And oddly enough, they're the stars of CBC's new drama - a sort of Breaking Bad for Mennonites. It stars the ubiquitous Ryan Robbins (Continuum, Arrow) as the delightfully named Noah Funk, the newly appointed pastor of the (fictious) Mennonite town of Antioch who has to work out how to deal in a Christian manner with what seems extremely unlikely to the casual viewer but turns out to be based on a true story - the Mennonite mob, a group of dangerous drug runners ferrying cocaine from Mexico to Canada and the US.

The mob have killed one family escaping from a Mexican Mennonite 'colony' and when Funk takes in the surviving young son, he ends up having to deal with both the mob and slobby cop AJ Buckley (CSI: New York), who's after this previously unsuspected snake in the community. Also involved is Texan DEA Agent Rosie Perez (Do The Right Thing, White Men Can't Jump), who's well aware of what's going on with the Mennonites, both in El Paso and on the other side of the border.

Watching Pure, it's hard to know exactly how realistic the Mennonite side of things is. Show creator Michael Amo is the grandson of a Mennonite, for sure, but every bad accent and poor piece of German sets off warning claxons, and the whole idea boggles the mind to begin with, let alone when the Mennonite kids are wandering around school, working out the intricacies of 'Auslander' (non-Mennonite) life and whether it's okay to say 'My God' as an expletive.

The criminal side of things is a bit pedestrian, too. Buckley's cop, intent on recruiting Funk to help him penetrate the close-knit mob, lacks any of the skills to do it yet still manages to accomplish it somehow. Surprisingly, for a godly man, Funk sure finds lying easy. And in general dramatic terms there are problem, too, with pretty much every Mennonite indistinguishable and undifferentiated from all the others, bar the nicely-hatted mob boss Peter Outerbridge (the original Murdoch in The Murdoch Mysteries, Blood and Water), who forces Funk to work for him to save his family. 

But all those issues to one side, as with Blood and Water and Shoot The Messenger, Canada is at least showing that it can offer crime shows that aren't just the same old formula and that involve different communities from those we're used to. I probably won't stick with it, but it's nice to know that the show's out there.

January 9, 2017

News: The CW renews seven shows; CBS extends three shows; William Shatner: PI; + more

Posted on January 9, 2017 | Post a comment | Bookmark and Share

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December 23, 2016

What have you been watching? Including Travelers, Falling Water, The OA, Shooter and Dix pour cent (Call My Agent!)

Posted on December 23, 2016 | Post a comment | Bookmark and Share

It's "What have you been watching?", my chance to tell you what movies and TV I’ve been watching recently and your chance to recommend anything you've been watching. 

I did promise you on Monday one potential last WHYBW to sign off with before the Christmas hols to mop up the few shows with remaining episodes this week. And here it is! How exciting. How reliable of me for a change.

After the jump then, the finale of Falling Water and as Netflix released all of Travelers today in the UK, I was able to binge-watch the final episodes, so I'll be looking at them, too. Thanks to its delayed airing, I'll be looking at the latest (not final) episode of Shooter, and I've also watched a few more episodes of The OA since I started it on Monday. 

On top of that, I also managed to catch up with another of Netflix's French imports:

Dix pour cent (Call My Agent!) (France: France 2; UK: Netflix)
Sort of the French equivalent of ExtrasDix pour cent is set in a talent agency, where the various members of staff have to deal with all the problems that beset the 'talent', including the talent themselves. Except there's all manner of inter-agency rivalry, poaching et al to deal with, too, once the head of the agency pops his clogs.

The show's selling point in France is that series producer Dominique Besnehard was one of the biggest talent agents in France for 20 years and managed huge numbers of top actors, actresses and directors. He then persuaded a select range of these stars to appear as 'themselves' in the show to send themselves up, with episode one seeing Cécile de France (The Young Pope, Around The World in 80 Days, Mesrine) finding herself ditched from a Quentin Tarantino movie for being - gasp! - too old.

Which is a problem for UK audiences, since although there's a chance that some of us will be familiar with some of the stars such as Audrey Fleurot from Engrenages (Spiral), most of the stars are like de France and are going to leave virtually everyone scratching our heads in exactly the same way every American did when Les Dennis turned up in Extras, for example. Even if you do know the show features such cameos (which isn't obvious), most people aren't going to know fictional character from cameo, let alone know an actor's public persona and what they're sending up.

On top of that, it's just not that funny. Quelle surprise, given it's France 2, but the show's few jokes went flashing past unaccompanied by laughs. Oh, and the subtitling is terrible.

One to avoid unless you really know your French acting scene, I'm afraid.

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